Calebasse Fang - Gabon





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Description from the seller
Origin. Gabon
Tribe name. Fang
Material. Wood
Dimension. H 56 L 28 cm
Mode of shipping. Colissimo within 24-48h open.
This is a magnificent ritual calabash, an emblematic object of the Fang people's traditional art (originating from Gabon, Cameroon and Equatorial Guinea).
These objects are not mere containers; they reflect a high level of artisanal mastery where the organic and the carved meet. Here is a detailed description of this piece and its cultural context:
The base is a calabash (the dried fruit of Lagenaria siceraria), naturally spherical, offering a robust and durable surface.
The carved decor: The object is adorned with small wooden human figures, characteristic of Fang style. These figures often display stylized shapes: bulging foreheads, heart- or diamond-shaped faces, and a certain sobriety in anatomical details, which is typical of Fang sculpture.
The fastening system: The figures are held around the calabash by a complex network of plant fibers (rattan). This technical mesh attests to a great know-how, ensuring both the solidity of the assembly and a sought-after aesthetics.
The stopper: Surmounting the neck, one observes a carved figure serving as a stopper. It acts as a symbolic guardian of what is contained inside.
Cultural significance and function
Ritual objects: These calabashes were often used during ceremonies related to the ancestor cult, known among the Fang as Bieri.
Function: Although their exact use may vary, they generally served to contain palm wine (consumed during important rites) or, in some cases, were associated with the protection of relics or medicinal substances.
Symbolism: The carved figures often represent protective ancestors. By attaching these figures to the calabash, the container itself becomes sacred, guarding the contents and granting a spiritual dimension to the acts associated with it (such as sharing a ritual drink).
This piece is particularly remarkable for:
The patina: The dark, glossy appearance indicates long use and the passage of time (usage patina), which is highly sought after in traditional African art.
Balance: There is a harmonious contrast between the rounded, natural form of the calabash and the geometric rigidity of the carved figures.
This is an impressive collectible piece that perfectly illustrates how the Fang integrated sculpture into everyday and ritual objects.
Origin. Gabon
Tribe name. Fang
Material. Wood
Dimension. H 56 L 28 cm
Mode of shipping. Colissimo within 24-48h open.
This is a magnificent ritual calabash, an emblematic object of the Fang people's traditional art (originating from Gabon, Cameroon and Equatorial Guinea).
These objects are not mere containers; they reflect a high level of artisanal mastery where the organic and the carved meet. Here is a detailed description of this piece and its cultural context:
The base is a calabash (the dried fruit of Lagenaria siceraria), naturally spherical, offering a robust and durable surface.
The carved decor: The object is adorned with small wooden human figures, characteristic of Fang style. These figures often display stylized shapes: bulging foreheads, heart- or diamond-shaped faces, and a certain sobriety in anatomical details, which is typical of Fang sculpture.
The fastening system: The figures are held around the calabash by a complex network of plant fibers (rattan). This technical mesh attests to a great know-how, ensuring both the solidity of the assembly and a sought-after aesthetics.
The stopper: Surmounting the neck, one observes a carved figure serving as a stopper. It acts as a symbolic guardian of what is contained inside.
Cultural significance and function
Ritual objects: These calabashes were often used during ceremonies related to the ancestor cult, known among the Fang as Bieri.
Function: Although their exact use may vary, they generally served to contain palm wine (consumed during important rites) or, in some cases, were associated with the protection of relics or medicinal substances.
Symbolism: The carved figures often represent protective ancestors. By attaching these figures to the calabash, the container itself becomes sacred, guarding the contents and granting a spiritual dimension to the acts associated with it (such as sharing a ritual drink).
This piece is particularly remarkable for:
The patina: The dark, glossy appearance indicates long use and the passage of time (usage patina), which is highly sought after in traditional African art.
Balance: There is a harmonious contrast between the rounded, natural form of the calabash and the geometric rigidity of the carved figures.
This is an impressive collectible piece that perfectly illustrates how the Fang integrated sculpture into everyday and ritual objects.
