Figural mantel clock - Bronze - 1800-1850






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Early 19th‑century Empire bronze figural mantel clock, 55 cm high with an 8‑day mechanical movement and half‑hour strike on one bell, signed Michelez Breguet and originating from Paris, France.
Description from the seller
Early 19th Century Empire French Clock
A large French clock signed Michelez Breguet
Michelez eleve de Breguet,Rue
Richelieu then Boulevard Montmartre
student,fire gilded ormolu
55 cm height
8 day movement overhauled
The figure is a classical winged female Cupid Psyche allegory rendered in dark patinated bronze, contrasting with the gilded clock case.
She holds a small box or casket—often symbolic of love, time, or curiosity in Neoclassical art.
The clock body is richly decorated with:
Floral garlands and rosettes
A central applied motif resembling a lyre or classical trophy, reinforcing the Empire aesthetic
Michelez is a Paris-based clockmaker working in the early 19th century, during the Empire and Restoration periods (c. 1800–1830).
He is not among the top-tier master names (like Breguet himself, or elite bronziers),
but he clearly operated in the professional Parisian horological network, supplying quality movements for decorative clocks.
Michelez, élève de Breguet”—is doing a lot of work. It’s both a signature and a marketing statement tied to one of the most influential figures in horology, Abraham-Louis Breguet
See photos
Thanks
Early 19th Century Empire French Clock
A large French clock signed Michelez Breguet
Michelez eleve de Breguet,Rue
Richelieu then Boulevard Montmartre
student,fire gilded ormolu
55 cm height
8 day movement overhauled
The figure is a classical winged female Cupid Psyche allegory rendered in dark patinated bronze, contrasting with the gilded clock case.
She holds a small box or casket—often symbolic of love, time, or curiosity in Neoclassical art.
The clock body is richly decorated with:
Floral garlands and rosettes
A central applied motif resembling a lyre or classical trophy, reinforcing the Empire aesthetic
Michelez is a Paris-based clockmaker working in the early 19th century, during the Empire and Restoration periods (c. 1800–1830).
He is not among the top-tier master names (like Breguet himself, or elite bronziers),
but he clearly operated in the professional Parisian horological network, supplying quality movements for decorative clocks.
Michelez, élève de Breguet”—is doing a lot of work. It’s both a signature and a marketing statement tied to one of the most influential figures in horology, Abraham-Louis Breguet
See photos
Thanks
