Mask Dugn'be - Bijagos - Guinea-Bissau






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Masque Dugn'be, a wooden Bijagos mask from Guinea-Bissau, depicting a bovine head with real horns, dimensions 35 cm high by 55 cm wide, in excellent condition and featuring metal strips, nail studs and red textile; provenance traces to the Bijagos archipelago where masks are used in initiation ceremonies and for ceremonial display.
Description from the seller
Decorative African mask fitted with real horns, originating from the Bidjogo, established in the Bissagos archipelago made up of about thirty islands off the coast of Guinea-Bissau. Upholstery tacks, metal slivers, and red textile embellish this mask depicting a bovine head. The muff bears a ring. Desiccation cracks.
The mask is worn before or at the close of initiation ceremonies, by a young initiate called a “cabaro,” who will bow and crouch, conveying the idea of a vigorous but still untamed young animal, and the necessity of going through the initiation process in order to acquire discipline and mastery. This type of mask appears today for entertainment festivities and on the occasion of visits by distinguished guests. These masks, named vaca bruto in Portuguese Creole, were displayed on the prows of war chiefs’ ships. It is indeed the Portuguese sailors who introduced the animal into the archipelago in the 15th century.
Other zoomorphic masks are produced, some related to aquatic fauna, and statues embodying deities with triangular faces, called iran, which have an apotropaic function and are kept secured in sanctuaries.
Seller's Story
Decorative African mask fitted with real horns, originating from the Bidjogo, established in the Bissagos archipelago made up of about thirty islands off the coast of Guinea-Bissau. Upholstery tacks, metal slivers, and red textile embellish this mask depicting a bovine head. The muff bears a ring. Desiccation cracks.
The mask is worn before or at the close of initiation ceremonies, by a young initiate called a “cabaro,” who will bow and crouch, conveying the idea of a vigorous but still untamed young animal, and the necessity of going through the initiation process in order to acquire discipline and mastery. This type of mask appears today for entertainment festivities and on the occasion of visits by distinguished guests. These masks, named vaca bruto in Portuguese Creole, were displayed on the prows of war chiefs’ ships. It is indeed the Portuguese sailors who introduced the animal into the archipelago in the 15th century.
Other zoomorphic masks are produced, some related to aquatic fauna, and statues embodying deities with triangular faces, called iran, which have an apotropaic function and are kept secured in sanctuaries.
