Ancestral Fetish - Songye - DR Congo





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Description from the seller
DR Congo
Tchokwé / Chokwé
Wood and raffia
Height: 305 mm
Width: 75 mm
Depth: 80 mm
During the 16th century, the Songyé migrated from the Shaba region (Congo) and settled along the left bank of the Lualaba River on a plateau covered with savannas and forests. Divided into many sub-groups, the Songyé are governed by a central chief, the yakitengé, whose role requires that he show no strong emotions, have no physical contact with villagers, and not drink in public. Unlike their neighbors, Songyé society is patriarchal. Agriculture is the main economic activity.
The most well-known type of Songyé mask is the one worn by members of the secret society Bwadi Bwa Kifwébé, called Kifwébé, which can be translated as “mask” in the Songyé dialect. This type of mask has a face covered with incised linear scarifications and features a rectangular mouth, an elongated nose, and bulging eyes. It can be masculine, with a central crest, or feminine if the hairstyle is smooth. The size of the crest signals the wearer’s power. During initiations, circumcisions, and funerals, a dancer completely covered in plant fibers makes an appearance. The feminine mask bearer moved with gentle, controlled movements aimed at improving women’s fertility. The masculine mask bearer had an aggressive and unpredictable stance intended to encourage social conformity. Representations of Kifwébé masks also appear on objects related to the secret society, for example on shields.
Songyé statues are numerous. Generally masculine, they stand on a circular base, have an elongated torso and hands resting on the abdomen. Their large head features a square or pointed chin, an open mouth, and a triangular nose. Sometimes these statues are hung for apotropaic purposes inside houses, using iron hooks passed under the arms. The large fetishes, meant to protect the communities, were kept in small huts, while smaller fetishes were reserved for individual use and protected against illness and death. The manipulation of these fetishes often occurred during the new moon phases.
The Songyé carved numerous objects: metal axe, stools, neck rests, bracelets and herminettes.
Packages are shipped Monday to Saturday with insurance and a tracking number.
Delivery in France within 1 to 3 days via Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide via Colissimo international.
We speak English
Mask, African art, African mask art, art of African masks, art of African statues, African statue art
statue African art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
DR Congo
Tchokwé / Chokwé
Wood and raffia
Height: 305 mm
Width: 75 mm
Depth: 80 mm
During the 16th century, the Songyé migrated from the Shaba region (Congo) and settled along the left bank of the Lualaba River on a plateau covered with savannas and forests. Divided into many sub-groups, the Songyé are governed by a central chief, the yakitengé, whose role requires that he show no strong emotions, have no physical contact with villagers, and not drink in public. Unlike their neighbors, Songyé society is patriarchal. Agriculture is the main economic activity.
The most well-known type of Songyé mask is the one worn by members of the secret society Bwadi Bwa Kifwébé, called Kifwébé, which can be translated as “mask” in the Songyé dialect. This type of mask has a face covered with incised linear scarifications and features a rectangular mouth, an elongated nose, and bulging eyes. It can be masculine, with a central crest, or feminine if the hairstyle is smooth. The size of the crest signals the wearer’s power. During initiations, circumcisions, and funerals, a dancer completely covered in plant fibers makes an appearance. The feminine mask bearer moved with gentle, controlled movements aimed at improving women’s fertility. The masculine mask bearer had an aggressive and unpredictable stance intended to encourage social conformity. Representations of Kifwébé masks also appear on objects related to the secret society, for example on shields.
Songyé statues are numerous. Generally masculine, they stand on a circular base, have an elongated torso and hands resting on the abdomen. Their large head features a square or pointed chin, an open mouth, and a triangular nose. Sometimes these statues are hung for apotropaic purposes inside houses, using iron hooks passed under the arms. The large fetishes, meant to protect the communities, were kept in small huts, while smaller fetishes were reserved for individual use and protected against illness and death. The manipulation of these fetishes often occurred during the new moon phases.
The Songyé carved numerous objects: metal axe, stools, neck rests, bracelets and herminettes.
Packages are shipped Monday to Saturday with insurance and a tracking number.
Delivery in France within 1 to 3 days via Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide via Colissimo international.
We speak English
Mask, African art, African mask art, art of African masks, art of African statues, African statue art
statue African art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
