Yuni R. P - Versos de Amapola

Painting by artist Yuni R. P in the technique of oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a white perimetral margin for better mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, guaranteeing its perfect condition during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual impact and marked expressiveness.

His painting is characterized by rich impasto, loose brushstrokes, and an intensely colorful palette, where light and movement constantly dialogue. In his impressionistic approach, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism, and color vibration are addressed, always from a contemporary and deeply personal perspective.

The themes he tackles arise from an emotional connection with nature and the landscape: marine scenes, sailing ships, fauna, flowers, and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening intense feelings and latent memories in the viewer.

Yuni’s paintings possess a frontal and enveloping presence; they are works that must be contemplated in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the pictorial gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter, and emotion: a painting that invites one to pause, observe, and feel.

The work is placed in a neo-impressionist style with a pronounced influence of fauvism due to its bold and subjective use of color. The technique stands out for the masterful use of the spatula and thick impasto, which gives the surface a tactile quality and a three-dimensionality that dynamically captures light. The painter does not aim for precise anatomical detail, but for the evocation of an atmosphere; through energetic brushstrokes and opposite directions, he visually separates the warmth of the field of flowers from the freshness of the mountains in the background. The author’s intention seems to be the transmission of a state of introspection and freedom, where the human figure blends in perfect harmony with the surroundings, suggesting that literature and nature are two forms of the same spiritual rest.