Richard Ginori - Figure - Erma (2) - Porcelain






Thirty years' experience in decorative objects and two decades as shop owner.
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Rare pair of Erma figurines by Gio Ponti for Richard Ginori, porcelain, Italy, circa 1950–1960, unmarked and from Ginori’s showroom, measuring 11 × 6 cm, in very good condition with light signs of wear and aging, part of the L’amore dell’antichità series.
Description from the seller
Richard Ginori - Gio Ponti - Erma
A rare pair of Erma by Gio Ponti, produced by Richard Ginori, is up for auction.
The statuettes are unmarked because they came from the showroom display cabinet of one of the Richard Ginori stores where sometimes non-sellable, merely decorative items were placed. The pieces come from the private collection of a Richard Ginori executive, active in the 1980s and 1990s.
In perfect condition, measurements 11x6 cm.
The erma paperweight is part of a series of small plastic objects, including male models and the double-faced erma portamenù and segnaposto, belonging to the series L’amore dell’antichità. If the portamenù and segnaposto were designed by Ponti in 1924 and molded by Zambini, the conception of the paperweight took place the following year (Livia Frescobaldi Malenchini, Maria Teresa Giovannini, Oliva Rucellai, Gio Ponti. La collezione del Museo Richard-Ginori della Manifattura di Doccia, Maretti editore, 2015, p. 218). In this case, Pontì created first the male model with a beard, then the one without a beard and the female variant, as demonstrated by the presence at the Second International Exhibition of Decorative Arts in Monza of only the male prototype (Pompeo Molmenti, Opere scelte. Seconda Mostra Internazionale delle Arti Decorative Monza – 1925, Gea, Milan 1925, p. 58). The reference to the antique is not given only by the subject depicted, but also by the frontal hieratic quality and the idealization of the faces, treated through extreme formal synthesis and a graphic rendering evident especially in the definition of the hairstyles and the beard, which recalls Etruscan sculpture. If the plastic modeling of the different busts did not provide variants, the application of gold leaf allowed for several alternatives depending on the area to be decorated and the possible motif created by polishing the precious metal with an agate tip.
Very rare object.
Seller's Story
Richard Ginori - Gio Ponti - Erma
A rare pair of Erma by Gio Ponti, produced by Richard Ginori, is up for auction.
The statuettes are unmarked because they came from the showroom display cabinet of one of the Richard Ginori stores where sometimes non-sellable, merely decorative items were placed. The pieces come from the private collection of a Richard Ginori executive, active in the 1980s and 1990s.
In perfect condition, measurements 11x6 cm.
The erma paperweight is part of a series of small plastic objects, including male models and the double-faced erma portamenù and segnaposto, belonging to the series L’amore dell’antichità. If the portamenù and segnaposto were designed by Ponti in 1924 and molded by Zambini, the conception of the paperweight took place the following year (Livia Frescobaldi Malenchini, Maria Teresa Giovannini, Oliva Rucellai, Gio Ponti. La collezione del Museo Richard-Ginori della Manifattura di Doccia, Maretti editore, 2015, p. 218). In this case, Pontì created first the male model with a beard, then the one without a beard and the female variant, as demonstrated by the presence at the Second International Exhibition of Decorative Arts in Monza of only the male prototype (Pompeo Molmenti, Opere scelte. Seconda Mostra Internazionale delle Arti Decorative Monza – 1925, Gea, Milan 1925, p. 58). The reference to the antique is not given only by the subject depicted, but also by the frontal hieratic quality and the idealization of the faces, treated through extreme formal synthesis and a graphic rendering evident especially in the definition of the hairstyles and the beard, which recalls Etruscan sculpture. If the plastic modeling of the different busts did not provide variants, the application of gold leaf allowed for several alternatives depending on the area to be decorated and the possible motif created by polishing the precious metal with an agate tip.
Very rare object.
