Kwele antelope mask - Gabon






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MASQUE KWELE ANTILOPE, a wooden mask from Gabon of the Kwele people, dating from the late 20th century, measuring 56 cm high by 19 cm wide, in good condition.
Description from the seller
Origin. Gabon
Name of the tribe. Kwele
Material. Wood
Dimension. 56 cm
Mode of shipment. Colissimo within 24-48h - open.
The mask is a remarkable example of the art of the Kwele people (or Bakwele), located in the forested regions of Gabon, the Republic of the Congo and Cameroon.
Here is a detailed description of its characteristics:
Characteristics Morphologiques
Zoomorphic form: This mask probably represents an antelope or a wild goat, as evidenced by the long slender horns that rise upward.
Face geometry: The face is stylized into a triangular or diamond shape, very characteristic of Kwele minimalism.
Simplified features: The eyes are represented by slender dark oblique slits, creating an introspective and serene gaze.
Colors and Materials
Contrast of tones: The mask uses the traditional Kwele palette: white (obtained from kaolin) for the face, symbolizing light and the world of spirits, contrasted with the dark brown or black of the horns and facial features.
Cultural Significance (Beete Cult)
In Kwele culture, this type of mask (often called pibibuze) plays a crucial role during Beete ceremonies.
Fight against witchcraft: These masks are not worn for "entertainment", but to invoke benevolent forces in order to purify the village and neutralize evil influences or social tensions.
Social harmony: The ultimate goal of the Beete ritual is to restore cohesion within the community. The mask's tranquil aesthetics reflect this ideal of peace.
Artistic note: The Kwele style heavily influenced Western modern art in the early 20th century. Its flat structure and clean lines recall the cubist explorations of the era.
Origin. Gabon
Name of the tribe. Kwele
Material. Wood
Dimension. 56 cm
Mode of shipment. Colissimo within 24-48h - open.
The mask is a remarkable example of the art of the Kwele people (or Bakwele), located in the forested regions of Gabon, the Republic of the Congo and Cameroon.
Here is a detailed description of its characteristics:
Characteristics Morphologiques
Zoomorphic form: This mask probably represents an antelope or a wild goat, as evidenced by the long slender horns that rise upward.
Face geometry: The face is stylized into a triangular or diamond shape, very characteristic of Kwele minimalism.
Simplified features: The eyes are represented by slender dark oblique slits, creating an introspective and serene gaze.
Colors and Materials
Contrast of tones: The mask uses the traditional Kwele palette: white (obtained from kaolin) for the face, symbolizing light and the world of spirits, contrasted with the dark brown or black of the horns and facial features.
Cultural Significance (Beete Cult)
In Kwele culture, this type of mask (often called pibibuze) plays a crucial role during Beete ceremonies.
Fight against witchcraft: These masks are not worn for "entertainment", but to invoke benevolent forces in order to purify the village and neutralize evil influences or social tensions.
Social harmony: The ultimate goal of the Beete ritual is to restore cohesion within the community. The mask's tranquil aesthetics reflect this ideal of peace.
Artistic note: The Kwele style heavily influenced Western modern art in the early 20th century. Its flat structure and clean lines recall the cubist explorations of the era.
