Nigeria






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Wooden sculpture with leather elements from Nigeria, attributed to the Ekoï (Ejagham) people, dating to the late 20th century, about 28 cm high, in good condition and sold without a stand.
Description from the seller
Origin. Nigeria
Tribe name. Ekoï
Material. Wood
Dimension. 28 cm
Shipping method. Colissimo within 24-48h, open
This decorative wooden sculpture, typical of the traditional art of the Ekoï (also known as Ejagham), native to the border region between Nigeria and Cameroon, is a remarkable piece that testifies to refined artistic craftsmanship.
The face expresses great intensity. The open mouth, revealing a row of sculpted teeth, gives the sculpture a sense of movement, as if it were speaking, singing, or shouting.
Look: The eyes are almond-shaped, with pupils deeply marked, which enhances the alive and observant aspect of the face.
Stylistic Details
Neck rings: The neck is cylindrical and adorned with multiple horizontal relief rings. In the region's iconography, these rings are often associated with beauty standards, wealth, or a high social status.
Hairstyle: The top of the head is worked with a precise texture, evoking scarifications or a complex hairstyle, a very recurring element in Ejagham masks and statues.
Function and Structure
Wicker base: The presence of a base in braided fibers is a key indicator of its function. These heads were generally mounted on wicker supports to be worn as head masks during ritual ceremonies or dances by secret societies (such as the Ngbe or Leopard Society).
Ritual use: This type of object was not purely decorative; it served as a spiritual intermediary, often embodying spirits of nature or ancestors during masked performances.
Origin. Nigeria
Tribe name. Ekoï
Material. Wood
Dimension. 28 cm
Shipping method. Colissimo within 24-48h, open
This decorative wooden sculpture, typical of the traditional art of the Ekoï (also known as Ejagham), native to the border region between Nigeria and Cameroon, is a remarkable piece that testifies to refined artistic craftsmanship.
The face expresses great intensity. The open mouth, revealing a row of sculpted teeth, gives the sculpture a sense of movement, as if it were speaking, singing, or shouting.
Look: The eyes are almond-shaped, with pupils deeply marked, which enhances the alive and observant aspect of the face.
Stylistic Details
Neck rings: The neck is cylindrical and adorned with multiple horizontal relief rings. In the region's iconography, these rings are often associated with beauty standards, wealth, or a high social status.
Hairstyle: The top of the head is worked with a precise texture, evoking scarifications or a complex hairstyle, a very recurring element in Ejagham masks and statues.
Function and Structure
Wicker base: The presence of a base in braided fibers is a key indicator of its function. These heads were generally mounted on wicker supports to be worn as head masks during ritual ceremonies or dances by secret societies (such as the Ngbe or Leopard Society).
Ritual use: This type of object was not purely decorative; it served as a spiritual intermediary, often embodying spirits of nature or ancestors during masked performances.
