Paperweight (3) - Glass

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Anna Hue-Roques
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Selected by Anna Hue-Roques

Holds bachelor's degrees in Law and Art History with an Ecole du Louvre auctioneer diploma.

Estimate  € 450 - € 550
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Description from the seller

Three entirely decorative paperweights, or wig-balls, from the second half of the 19th century, presumably French or English, inconspicuous.

The technique for making such presse-papiers is called cristallo-cérame in French. This production method, a combination of ceramics and glassware, was popular in the 19th century with glassworks such as Val Saint Lambert and Baccarat. The decorative figures were produced in an opaque material, often a kind of ceramic or porcelain. The figure was then carefully encased in a ball of clear, solid crystal glass. The glass surrounding the figure was further shaped by hand and placed on a characteristic hollow foot. The result is a fascinating object in which the figures are enlarged through the glass, producing a three-dimensional effect.

In the 19th century these objects were sometimes called wig-balls because they strongly resembled the stands on which gentlemen of the more privileged circles displayed their powdered wigs. Moreover, despite their relatively modest height, these objects would often have been used to place a wig on. This was especially the case in densely populated cities where the introduction of lead pipes for drinking water proved to have a detrimental effect on hair growth, causing many men to revert to the 17th and 18th century custom of wearing a wig.

The largest presse-papier features a beautiful refined depiction of a kneeling figure surrounded by various animals in a forested setting. The other two pieces are more figurative in design.
Condition report: These objects are in good condition and show no signs of visible damage.

Dimensions: Height: 19.00 cm (the tallest) and 14.50 cm (the two smallest)

Three entirely decorative paperweights, or wig-balls, from the second half of the 19th century, presumably French or English, inconspicuous.

The technique for making such presse-papiers is called cristallo-cérame in French. This production method, a combination of ceramics and glassware, was popular in the 19th century with glassworks such as Val Saint Lambert and Baccarat. The decorative figures were produced in an opaque material, often a kind of ceramic or porcelain. The figure was then carefully encased in a ball of clear, solid crystal glass. The glass surrounding the figure was further shaped by hand and placed on a characteristic hollow foot. The result is a fascinating object in which the figures are enlarged through the glass, producing a three-dimensional effect.

In the 19th century these objects were sometimes called wig-balls because they strongly resembled the stands on which gentlemen of the more privileged circles displayed their powdered wigs. Moreover, despite their relatively modest height, these objects would often have been used to place a wig on. This was especially the case in densely populated cities where the introduction of lead pipes for drinking water proved to have a detrimental effect on hair growth, causing many men to revert to the 17th and 18th century custom of wearing a wig.

The largest presse-papier features a beautiful refined depiction of a kneeling figure surrounded by various animals in a forested setting. The other two pieces are more figurative in design.
Condition report: These objects are in good condition and show no signs of visible damage.

Dimensions: Height: 19.00 cm (the tallest) and 14.50 cm (the two smallest)

Details

Era
1400-1900
Number of objects
3
Material
Glass
Country of origin
France
Condition
Good condition - used with small signs of aging & blemishes
Height
19 cm
Width
10 cm
Depth
6 cm
Estimated period
1850-1900
BelgiumVerified
40
Objects sold
100%
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