Jorg (de Vos) - 1 Acrylic - After Storm - 2014





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Description from the seller
Famtastic highly detailed painting by STORM artist Jorg (de Vos)!
The painting is on a thick 35 x 25 cm board, fully painted.
Painting is dated 2014 .
Jorg de Vos is a Dutch comic artist, illustrator, and painter. He is known for, among other things, the comic series Storm, on which he worked as co-artist, colorist, and writer alongside Martin Lodewijk and Romano Molenaar, and for contributions to the French Métal Hulant and the U.S. edition, for which he collaborated with Jean-Pierre Dionnet, Jerry Frissen, Marc Caro, and Jake Thomas, among others.
As an artist, De Vos has collaborated multiple times with the Stedelijk Museum Breda, including a project with DJ Tiësto. As a visualizer, he has worked on the realization of events such as IFX in Las Vegas and Software Circus in Amsterdam. As an illustrator, he designed for Hallmark Productions and regularly creates record covers, primarily in the metal genre. De Vos also has two art books to his name: Schaduwwerk I and II.
Famtastic highly detailed painting by STORM artist Jorg (de Vos)!
The painting is on a thick 35 x 25 cm board, fully painted.
Painting is dated 2014 .
Jorg de Vos is a Dutch comic artist, illustrator, and painter. He is known for, among other things, the comic series Storm, on which he worked as co-artist, colorist, and writer alongside Martin Lodewijk and Romano Molenaar, and for contributions to the French Métal Hulant and the U.S. edition, for which he collaborated with Jean-Pierre Dionnet, Jerry Frissen, Marc Caro, and Jake Thomas, among others.
As an artist, De Vos has collaborated multiple times with the Stedelijk Museum Breda, including a project with DJ Tiësto. As a visualizer, he has worked on the realization of events such as IFX in Las Vegas and Software Circus in Amsterdam. As an illustrator, he designed for Hallmark Productions and regularly creates record covers, primarily in the metal genre. De Vos also has two art books to his name: Schaduwwerk I and II.

