Yuni R. P - Amanecer Botánico

Painting by the artist Yuni R. P in the technique of oil on canvas, worked entirely with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimetral white margin for better mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, guaranteeing its perfect conservation during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual strength and marked expressiveness.

His painting is characterized by a rich impasto, loose strokes and an intensely colorful palette, where light and movement constantly dialogue. In his impressionist treatment there is a clear influence of Joaquín Sorolla, especially in the way of addressing luminosity, dynamism and the vibration of color, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and the landscape: seascapes, sailing ships, fauna, flowers and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni’s paintings possess a frontal and enveloping presence; they are works that must be viewed in person, as photography cannot fully capture the richness of the impasto, the depth of color nor the energy of the painterly gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter and emotion: a painting that invites stopping, observing and feeling.

The work is framed within contemporary neo-impressionism, where the focus does not reside in precise botanical detail, but in capturing the energy and light of the surroundings. Executed with the oil technique, the artist employs an extremely expressive application of paint, using both brush and spatula to create a generous impasto. This technique grants a vibrant three-dimensionality to the petals, allowing the flowers to appear to emerge from the canvas. The composition is dynamic and open, with a palette that balances warm tones of yellows and oranges against a background of ethereal blues and greens. The painter wishes to convey a sense of optimism and spiritual freedom, inviting the viewer to a joyful contemplation of nature as a living organism, full of movement and chromatic harmony.