ALTAR STATUE - KONGO-VILI - Bakongo - DR Congo






A decade of experience in historical arms, armour, and African art.
€35 | ||
|---|---|---|
€3 | ||
€2 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 134492 reviews
Rated Excellent on Trustpilot.
STATUE AUTEL-KONGO-VILI, a Bakongo wooden sculpture from the Democratic Republic of the Congo, 40 cm high, sold with stand.
Description from the seller
Origin. Democratic Republic of Congo
Tribe name. Bakongo
Material. Wood
Dimension. 40 cm
Shipping method. Colissimo within 24-48h open.
This decorative piece is a fascinating work of traditional Kongo art, more precisely attributable to the Vili group (coastal region of the Republic of Congo, Cabinda, or the DRC).
This figurine belongs to the category of Minkisi (singular: Nkisi). These are not mere decorative objects, but receptacles meant to house spiritual forces for protection, healing, or justice.
The ventral receptacle (Bilongo): The most distinctive element is the circular cavity at the abdomen. Originally, it contained magico-medicinal substances (bilongo), often sealed by a piece of mirror or glass. The mirror allowed the world of spirits to “see” intruders or culprits.
The stance: The figure is depicted in a crouched or semi-bent position on a circular base, a posture that suggests both tension, vigilance, and ritual readiness.
The Vili style is distinguished by a certain naturalism, particularly visible in the treatment of the face:
The gaze: The eyes are often inlaid with glass or porcelain (or painted white), symbolizing clairvoyance and the ability to see in the world of the unseen.
The head and the headdress: The skull is elongated, topped with a carved headdress that often resembles the mpu cap worn by chiefs or notables, marking the elevated social status of the represented entity.
The arms: The arms are carved here in an angular manner, brought forward, which emphasizes the geometry of the chest and the importance of the central receptacle.
Wood: The piece is carved in dense, dark wood.
Additional elements: The presence of fibers or textiles at the base of the belly (the fiber “skirt”) reinforces the ritual and “clothed” appearance of the statue.
Symbolic synthesis
In the Kongo-Vili culture, such a statue serves as an intermediary between the world of the living and that of the ancestors. It embodies a force capable of biting (n’kisi derives from a root meaning “to bite” or “to burn”) to punish wrongdoers or to protect the clan against sorcery.
Expert note: The absence of the mirror or the original contents in the ventral cavity is common on collectible pieces, these elements being sometimes removed before sale to “disable” the object's spiritual charge.
Origin. Democratic Republic of Congo
Tribe name. Bakongo
Material. Wood
Dimension. 40 cm
Shipping method. Colissimo within 24-48h open.
This decorative piece is a fascinating work of traditional Kongo art, more precisely attributable to the Vili group (coastal region of the Republic of Congo, Cabinda, or the DRC).
This figurine belongs to the category of Minkisi (singular: Nkisi). These are not mere decorative objects, but receptacles meant to house spiritual forces for protection, healing, or justice.
The ventral receptacle (Bilongo): The most distinctive element is the circular cavity at the abdomen. Originally, it contained magico-medicinal substances (bilongo), often sealed by a piece of mirror or glass. The mirror allowed the world of spirits to “see” intruders or culprits.
The stance: The figure is depicted in a crouched or semi-bent position on a circular base, a posture that suggests both tension, vigilance, and ritual readiness.
The Vili style is distinguished by a certain naturalism, particularly visible in the treatment of the face:
The gaze: The eyes are often inlaid with glass or porcelain (or painted white), symbolizing clairvoyance and the ability to see in the world of the unseen.
The head and the headdress: The skull is elongated, topped with a carved headdress that often resembles the mpu cap worn by chiefs or notables, marking the elevated social status of the represented entity.
The arms: The arms are carved here in an angular manner, brought forward, which emphasizes the geometry of the chest and the importance of the central receptacle.
Wood: The piece is carved in dense, dark wood.
Additional elements: The presence of fibers or textiles at the base of the belly (the fiber “skirt”) reinforces the ritual and “clothed” appearance of the statue.
Symbolic synthesis
In the Kongo-Vili culture, such a statue serves as an intermediary between the world of the living and that of the ancestors. It embodies a force capable of biting (n’kisi derives from a root meaning “to bite” or “to burn”) to punish wrongdoers or to protect the clan against sorcery.
Expert note: The absence of the mirror or the original contents in the ventral cavity is common on collectible pieces, these elements being sometimes removed before sale to “disable” the object's spiritual charge.
