Figural mantel clock - Antique Bronze, Brass - 1850-1900






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A figural mantel clock from circa 1850–1900, in ormolu gilded bronze and brass, antique style, French origin, with a mechanical movement and a 31-day power reserve, half-hour striking with one bell, measuring 50 × 30 × 15 cm and weighing 5 kg, in good used condition and in working order.
Description from the seller
It is an ormolu clock of the kind born to live in a palatial salon, not on a humble shelf. The gilding in gold —deep, warm, almost liquid— envelops the entire piece with a radiance that only mercury gilding of the eighteenth and early nineteenth centuries could achieve: a light that does not reflect, but emanates from the metal.
The composition centers on an upper sculptural group, a seated figure representing a character from antiquity’s culture or politics: a sage, a legislator, perhaps a philosopher. The stance is serene, with the folds of the cloak cascading in soft waves, modeled with that precision that blends theatricality and classical balance. It is not an incidental figure: it is the symbol of reason, authority, and knowledge, a direct nod to the Enlightenment taste that permeated European decoration from the late eighteenth to the early nineteenth centuries.
Below the figure opens the clock’s case, with its circular dial of Roman numerals, framed by an explosion of volutes, garlands, flowers, and shields that seem to grow from the gilded bronze itself. Everything is worked with meticulous craftsmanship that today is almost impossible to reproduce: every leaf, every curve, every relief has a clear aesthetic intention.
The mechanism, typical of French or Central European clockmaking of the period, works, but—as with all clocks of two centuries—requires periodic adjustments, lubrication, and a delicate tuning to maintain accuracy. It is not a clock to leave running unattended: it begs to be tended, like a small mechanical organism with memory.
Taken together, it is a piece that blends sculpture, jewelry, and clockmaking, an object that did not merely mark the time but proclaimed status, education, and taste. A clock not looked at to tell the hour, but to remind us that time can also be a work of art.
Certified shipping and good packaging.
Seller's Story
It is an ormolu clock of the kind born to live in a palatial salon, not on a humble shelf. The gilding in gold —deep, warm, almost liquid— envelops the entire piece with a radiance that only mercury gilding of the eighteenth and early nineteenth centuries could achieve: a light that does not reflect, but emanates from the metal.
The composition centers on an upper sculptural group, a seated figure representing a character from antiquity’s culture or politics: a sage, a legislator, perhaps a philosopher. The stance is serene, with the folds of the cloak cascading in soft waves, modeled with that precision that blends theatricality and classical balance. It is not an incidental figure: it is the symbol of reason, authority, and knowledge, a direct nod to the Enlightenment taste that permeated European decoration from the late eighteenth to the early nineteenth centuries.
Below the figure opens the clock’s case, with its circular dial of Roman numerals, framed by an explosion of volutes, garlands, flowers, and shields that seem to grow from the gilded bronze itself. Everything is worked with meticulous craftsmanship that today is almost impossible to reproduce: every leaf, every curve, every relief has a clear aesthetic intention.
The mechanism, typical of French or Central European clockmaking of the period, works, but—as with all clocks of two centuries—requires periodic adjustments, lubrication, and a delicate tuning to maintain accuracy. It is not a clock to leave running unattended: it begs to be tended, like a small mechanical organism with memory.
Taken together, it is a piece that blends sculpture, jewelry, and clockmaking, an object that did not merely mark the time but proclaimed status, education, and taste. A clock not looked at to tell the hour, but to remind us that time can also be a work of art.
Certified shipping and good packaging.
