Verscheidene auteurs - Gio Ponti - 2026

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Hardcover English-language book about Gio Ponti, 509 pages, subject Art, by multiple authors, titled Gio Ponti, other edition, oldest publication year 2026, in very good condition.

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Description from the seller

Gio Ponti

Contents see photo 3 & 4

Giovanni (Giò) Ponti (Milan, November 18, 1891 – there, September 16, 1979) was an Italian architect, writer and industrial designer.

"In his more than sixty-year career he designed furniture, household objects and buildings. Notable buildings by his hand include the Pirelli Tower in Milan (together with Pier Luigi Nervi), the Palazzo Liviano in Padua, the Denver Art Museum (North Building) and the De Bijenkorf department store in Eindhoven. Because of his influence and breadth of subjects across various disciplines, he is also known as the 'father of modern Italian design'.

Life
Giovanni Ponti was born in Milan on 18 November 1891. He began studying architecture at the Polytechnic University of Milan (Politecnico di Milano), but this was interrupted by his conscription during World War I. After graduating in 1921, he started an architectural practice with Mino Fiocchi and Emilio Lancia. His work was first exhibited in 1923 at the Biennale of Decorative Arts in Monza, after which he became a member of the executive committee involved in organizing the Milan Triennales. In the same year he began as artistic director at the ceramic producer Manifattura Ceramica Richard Ginori, where he had a major influence on product renewal. In 1925 his works for this manufacturer were shown at the Internationale des Arts Décoratifs et Industriels Modernes, where they were very well received.
With Emilio Lancia he founded Studio Ponti-Lancia in 1926. During this period Ponti’s work was strongly influenced by the Novecento Italiano, an art movement aligned with Benito Mussolini's fascist ideology. This style is evident, among other things, in the design of his private residence at Via Randaccio 9 in Milan (1925) and the interior of the Palazzo Contini-Bonacossi in Florence (1931).[4]
Around 1927 a new Italian stylistic movement arose, the Movimento Italiano per l’Architettura Razionale, Italian Rationalism, which drew on new developments in construction technology. Ponti was a proponent of this new style and had a major influence on its further development, including through the magazine Domus, which he founded in 1928 and in which he wrote about design and architecture and his involvement in the Milan Triennales.
In 1933 he began Studio Ponti-Fornaroli-Soncini with engineers Antonio Fornaroli and Eugenio Soncini. That same year he wrote the book La Casa all’Italiana ('The House in Italian Style') in which he argued that Italian houses, despite stylistic innovations and changes, should not lose their Italian character. Between 1931 and 1936 he was involved in the design of the Domus houses in Milan. These houses had a typical Milanese exterior style, but their interiors were modern and innovative, with a focus on flexibility and modular furniture. Ponti believed the interior should adapt to the person, not the other way around. In 1936 he designed the first Palazzo Montecatini—a modern apartment building for which he was involved in both the building and the interior and furniture design for the first time. That same year he was appointed professor and permanent staff at the Faculty of Architecture at the Polytechnic University of Milan, a post he held until 1961.
During the forties Ponti was less active architecturally, turning his attention to writing, industrial design and painting. In 1941 he left the magazine Domus, which he had founded, and started the magazine Stile, in which he remained involved until 1947. In 1948 he became editor-in-chief of Domus again.
From the fifties his architectural activity increased again. In this period he traveled widely and designed, among other things, two villas in Caracas in the mid‑fifties, several government offices in Baghdad (1958) and an auditorium in the Time & Life Building (1959) in New York. The composition of his office also changed during this period. After Alberto Rosselli joined in 1954 the name became Studio Ponti-Fornaroli-Rosselli. He remained active in his homeland as well: he was responsible for the design of the Pirelli Tower (1955–1958) in Milan. The building, at 32 stories, was at that time the tallest in Europe. During this period he was also active for the Jsa factory, for which he designed textiles from 1950 to 1958.

During his career Ponti worked for more than 120 companies. He died in Milan on September 16, 1979.

Excellent condition.

Important document!!

Carefully packed with tracking and insured shipping.

Good luck bidding!!

Gio Ponti

Contents see photo 3 & 4

Giovanni (Giò) Ponti (Milan, November 18, 1891 – there, September 16, 1979) was an Italian architect, writer and industrial designer.

"In his more than sixty-year career he designed furniture, household objects and buildings. Notable buildings by his hand include the Pirelli Tower in Milan (together with Pier Luigi Nervi), the Palazzo Liviano in Padua, the Denver Art Museum (North Building) and the De Bijenkorf department store in Eindhoven. Because of his influence and breadth of subjects across various disciplines, he is also known as the 'father of modern Italian design'.

Life
Giovanni Ponti was born in Milan on 18 November 1891. He began studying architecture at the Polytechnic University of Milan (Politecnico di Milano), but this was interrupted by his conscription during World War I. After graduating in 1921, he started an architectural practice with Mino Fiocchi and Emilio Lancia. His work was first exhibited in 1923 at the Biennale of Decorative Arts in Monza, after which he became a member of the executive committee involved in organizing the Milan Triennales. In the same year he began as artistic director at the ceramic producer Manifattura Ceramica Richard Ginori, where he had a major influence on product renewal. In 1925 his works for this manufacturer were shown at the Internationale des Arts Décoratifs et Industriels Modernes, where they were very well received.
With Emilio Lancia he founded Studio Ponti-Lancia in 1926. During this period Ponti’s work was strongly influenced by the Novecento Italiano, an art movement aligned with Benito Mussolini's fascist ideology. This style is evident, among other things, in the design of his private residence at Via Randaccio 9 in Milan (1925) and the interior of the Palazzo Contini-Bonacossi in Florence (1931).[4]
Around 1927 a new Italian stylistic movement arose, the Movimento Italiano per l’Architettura Razionale, Italian Rationalism, which drew on new developments in construction technology. Ponti was a proponent of this new style and had a major influence on its further development, including through the magazine Domus, which he founded in 1928 and in which he wrote about design and architecture and his involvement in the Milan Triennales.
In 1933 he began Studio Ponti-Fornaroli-Soncini with engineers Antonio Fornaroli and Eugenio Soncini. That same year he wrote the book La Casa all’Italiana ('The House in Italian Style') in which he argued that Italian houses, despite stylistic innovations and changes, should not lose their Italian character. Between 1931 and 1936 he was involved in the design of the Domus houses in Milan. These houses had a typical Milanese exterior style, but their interiors were modern and innovative, with a focus on flexibility and modular furniture. Ponti believed the interior should adapt to the person, not the other way around. In 1936 he designed the first Palazzo Montecatini—a modern apartment building for which he was involved in both the building and the interior and furniture design for the first time. That same year he was appointed professor and permanent staff at the Faculty of Architecture at the Polytechnic University of Milan, a post he held until 1961.
During the forties Ponti was less active architecturally, turning his attention to writing, industrial design and painting. In 1941 he left the magazine Domus, which he had founded, and started the magazine Stile, in which he remained involved until 1947. In 1948 he became editor-in-chief of Domus again.
From the fifties his architectural activity increased again. In this period he traveled widely and designed, among other things, two villas in Caracas in the mid‑fifties, several government offices in Baghdad (1958) and an auditorium in the Time & Life Building (1959) in New York. The composition of his office also changed during this period. After Alberto Rosselli joined in 1954 the name became Studio Ponti-Fornaroli-Rosselli. He remained active in his homeland as well: he was responsible for the design of the Pirelli Tower (1955–1958) in Milan. The building, at 32 stories, was at that time the tallest in Europe. During this period he was also active for the Jsa factory, for which he designed textiles from 1950 to 1958.

During his career Ponti worked for more than 120 companies. He died in Milan on September 16, 1979.

Excellent condition.

Important document!!

Carefully packed with tracking and insured shipping.

Good luck bidding!!

Details

Number of books
1
Subject
Art
Book title
Gio Ponti
Author/ Illustrator
Verscheidene auteurs
Condition
Very good
Artist
Gio Ponti
Publication year oldest item
2026
Edition
Other edition
Language
English
Original language
No
Binding/ Material
Hardback
Number of pages
509
Sold by
The NetherlandsVerified
1011
Objects sold
100%
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