Ancestral Fetish - Songye - DR Congo






A decade of experience in historical arms, armour, and African art.
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Description from the seller
Congo RDC
Tchokwé / Chokwé
Bois et raphia
Height: 280
Width: 85mm
Depth: 70mm
Small chip on the upper right lip area, see photos.
During the 16th century, the Songyé migrated from the Shaba region (Congo) and settled along the left bank of the Lualaba River, on a plateau covered with savannas and forests. Divided into numerous subgroups, the Songyé are governed by a central chief, the yakitengé, whose role requires that he not show strong emotions, have no physical contact with villagers, and not drink in public. Unlike their neighbors, Songyé society is patriarchal. Agriculture is the main economic activity.
The most famous type of Songyé mask is the one worn by members of the secret society Bwadi Bwa Kifwébé, called Kifwébé, which can be translated as mask in the Songyé dialect. This mask type has a face covered with incised linear scarifications and features a rectangular mouth, an elongated nose, and globular eyes. It can be masculine, with a central crest, or feminine if the hairstyle is smooth. The size of the crest indicates the power of the mask bearer. During initiations, circumcisions and funerals, a dancer completely covered in plant fibers appears. The female mask bearer had smooth, controlled movements aimed at enhancing women’s fertility. The male mask bearer had an aggressive and unpredictable attitude, designed to encourage social conformity. Representations of Kifwébé masks also appear on objects related to the secret society, for example on shields.
Songyè statues are numerous. Generally masculine, they stand on a circular base, have an elongated torso, and hands resting on the abdomen. Their large head features a squared or pointed chin, an open mouth, and a triangular nose. Sometimes these statues are hung, apotropaically, inside houses using iron hooks passed under the arms. The large fetishes, meant to protect communities, were kept in small huts, while smaller fetishes were reserved for individual use and protected against disease and death. The handling of these fetishes often took place during the new moon phases.
The Songyè carved many objects: metal axe, stools, neck rests, bracelets, and chisels.
The parcels are sent from Monday to Saturday with insurance and tracking number.
Delivery between 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide via Colissimo international.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Congo RDC
Tchokwé / Chokwé
Bois et raphia
Height: 280
Width: 85mm
Depth: 70mm
Small chip on the upper right lip area, see photos.
During the 16th century, the Songyé migrated from the Shaba region (Congo) and settled along the left bank of the Lualaba River, on a plateau covered with savannas and forests. Divided into numerous subgroups, the Songyé are governed by a central chief, the yakitengé, whose role requires that he not show strong emotions, have no physical contact with villagers, and not drink in public. Unlike their neighbors, Songyé society is patriarchal. Agriculture is the main economic activity.
The most famous type of Songyé mask is the one worn by members of the secret society Bwadi Bwa Kifwébé, called Kifwébé, which can be translated as mask in the Songyé dialect. This mask type has a face covered with incised linear scarifications and features a rectangular mouth, an elongated nose, and globular eyes. It can be masculine, with a central crest, or feminine if the hairstyle is smooth. The size of the crest indicates the power of the mask bearer. During initiations, circumcisions and funerals, a dancer completely covered in plant fibers appears. The female mask bearer had smooth, controlled movements aimed at enhancing women’s fertility. The male mask bearer had an aggressive and unpredictable attitude, designed to encourage social conformity. Representations of Kifwébé masks also appear on objects related to the secret society, for example on shields.
Songyè statues are numerous. Generally masculine, they stand on a circular base, have an elongated torso, and hands resting on the abdomen. Their large head features a squared or pointed chin, an open mouth, and a triangular nose. Sometimes these statues are hung, apotropaically, inside houses using iron hooks passed under the arms. The large fetishes, meant to protect communities, were kept in small huts, while smaller fetishes were reserved for individual use and protected against disease and death. The handling of these fetishes often took place during the new moon phases.
The Songyè carved many objects: metal axe, stools, neck rests, bracelets, and chisels.
The parcels are sent from Monday to Saturday with insurance and tracking number.
Delivery between 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide via Colissimo international.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
