ALTAR STATUE - KONGO-VILI - Bakongo - DR Congo






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Description from the seller
Origin. Democratic Republic of the Congo
Tribe name. Bakongo
Material. Wood
Dimension. 40 cm
Shipping mode. Colissimo within 24-48h open.
This decorative piece is a fascinating work of traditional Kongo art, more precisely attributed to the Vili group (coastal region of the Republic of the Congo, Cabinda, or the DRC).
This figurine belongs to the category of Minkisi (singular: Nkisi). They are not mere decorative objects, but receptacles intended to house spiritual forces for protection, healing, or justice.
The ventral receptacle (Bilongo): The most distinctive element is the circular cavity at the abdomen level. Originally, it contained magico-medicinal substances (bilongo), often sealed by a piece of mirror or glass. The mirror allowed the spirit world to “see” intruders or the guilty.
The posture: The figure is depicted crouching or semi-bent on a circular base, a posture that suggests tension, vigilance, and ritual readiness.
Vili style is distinguished by a certain naturalism, particularly visible in the treatment of the face:
The gaze: The eyes are often inlaid with glass or porcelain (or painted white), symbolizing clairvoyance and the ability to see into the world of the invisible.
The head and the headdress: The skull is elongated, topped with a sculpted headdress that often resembles the mpu cap worn by chiefs or notable figures, signaling the elevated social status of the represented entity.
The arms: The arms are sculpted here in an angular manner, drawn toward the front, which emphasizes the geometry of the chest and the importance of the central receptacle.
Wood: The piece is carved from dense, dark wood.
Additional elements: The presence of fibers or textiles at the base of the belly (the fiber “skirt”) reinforces the ritual and “dressed” aspect of the statue.
Symbolic synthesis
In Kongo-Vili culture, such a statue serves as an intermediary between the world of the living and that of the ancestors. It embodies a force capable of biting (n'kisi derives from a root meaning “bite” or “burn”) to punish wrongdoers or protect the clan against sorcery.
Expert note: The absence of the mirror or the original contents in the ventral cavity is common on collectible pieces, these elements sometimes being removed before sale to “disactivate” the object’s spiritual charge.
Origin. Democratic Republic of the Congo
Tribe name. Bakongo
Material. Wood
Dimension. 40 cm
Shipping mode. Colissimo within 24-48h open.
This decorative piece is a fascinating work of traditional Kongo art, more precisely attributed to the Vili group (coastal region of the Republic of the Congo, Cabinda, or the DRC).
This figurine belongs to the category of Minkisi (singular: Nkisi). They are not mere decorative objects, but receptacles intended to house spiritual forces for protection, healing, or justice.
The ventral receptacle (Bilongo): The most distinctive element is the circular cavity at the abdomen level. Originally, it contained magico-medicinal substances (bilongo), often sealed by a piece of mirror or glass. The mirror allowed the spirit world to “see” intruders or the guilty.
The posture: The figure is depicted crouching or semi-bent on a circular base, a posture that suggests tension, vigilance, and ritual readiness.
Vili style is distinguished by a certain naturalism, particularly visible in the treatment of the face:
The gaze: The eyes are often inlaid with glass or porcelain (or painted white), symbolizing clairvoyance and the ability to see into the world of the invisible.
The head and the headdress: The skull is elongated, topped with a sculpted headdress that often resembles the mpu cap worn by chiefs or notable figures, signaling the elevated social status of the represented entity.
The arms: The arms are sculpted here in an angular manner, drawn toward the front, which emphasizes the geometry of the chest and the importance of the central receptacle.
Wood: The piece is carved from dense, dark wood.
Additional elements: The presence of fibers or textiles at the base of the belly (the fiber “skirt”) reinforces the ritual and “dressed” aspect of the statue.
Symbolic synthesis
In Kongo-Vili culture, such a statue serves as an intermediary between the world of the living and that of the ancestors. It embodies a force capable of biting (n'kisi derives from a root meaning “bite” or “burn”) to punish wrongdoers or protect the clan against sorcery.
Expert note: The absence of the mirror or the original contents in the ventral cavity is common on collectible pieces, these elements sometimes being removed before sale to “disactivate” the object’s spiritual charge.
