Nigeria

02
days
13
hours
04
minutes
36
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Starting bid
€ 1
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Julien Gauthier
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Selected by Julien Gauthier

A decade of experience in historical arms, armour, and African art.

Estimate  € 220 - € 250
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Description from the seller

Origin. Nigeria
Tribe name. Ekoï
Material. Wood
Dimension. 28 cm
Shipping method. Colissimo within 24-48h, open

This decorative wooden sculpture, typical of the traditional art of the Ekoï (also known as Ejagham), originating from the border region between Nigeria and Cameroon, is a remarkable piece that testifies to refined artistic craftsmanship.

​The face expresses great intensity. The open mouth, revealing a row of sculpted teeth, gives the sculpture a sense of movement, as if it were speaking, singing, or shouting.
​Gaze: The eyes are almond-shaped, with deeply marked pupils, which enhances the living and observant aspect of the face.
​Stylistic Details
​Neck rings: The neck is cylindrical and adorned with multiple horizontal relief rings. In the region’s iconography, these rings are often associated with beauty standards, wealth, or a high social status.
​Hairstyle: The top of the skull is worked with a precise texture, evoking scarifications or a complex coiffure, a very recurring element in Ejagham masks and statues.
​Function and Structure
​Wicker base: The presence of a woven fiber base is a key indicator of its function. These heads were generally mounted on wicker supports to be worn as head masks (headdresses) during ritual ceremonies or dances by secret societies (such as the Ngbe or Leopard Society).
​Ritual use: This type of object was not purely decorative; it served as a spiritual intermediary, often embodying spirits of nature or ancestors during masked performances.

Origin. Nigeria
Tribe name. Ekoï
Material. Wood
Dimension. 28 cm
Shipping method. Colissimo within 24-48h, open

This decorative wooden sculpture, typical of the traditional art of the Ekoï (also known as Ejagham), originating from the border region between Nigeria and Cameroon, is a remarkable piece that testifies to refined artistic craftsmanship.

​The face expresses great intensity. The open mouth, revealing a row of sculpted teeth, gives the sculpture a sense of movement, as if it were speaking, singing, or shouting.
​Gaze: The eyes are almond-shaped, with deeply marked pupils, which enhances the living and observant aspect of the face.
​Stylistic Details
​Neck rings: The neck is cylindrical and adorned with multiple horizontal relief rings. In the region’s iconography, these rings are often associated with beauty standards, wealth, or a high social status.
​Hairstyle: The top of the skull is worked with a precise texture, evoking scarifications or a complex coiffure, a very recurring element in Ejagham masks and statues.
​Function and Structure
​Wicker base: The presence of a woven fiber base is a key indicator of its function. These heads were generally mounted on wicker supports to be worn as head masks (headdresses) during ritual ceremonies or dances by secret societies (such as the Ngbe or Leopard Society).
​Ritual use: This type of object was not purely decorative; it served as a spiritual intermediary, often embodying spirits of nature or ancestors during masked performances.

Details

Number of objects
1
Country of Origin
Nigeria
Period
Late 20th century
Material
Leather, Wood
Sold with stand
No
Condition
Good condition
Height
28 cm
FranceVerified
44
Objects sold
100%
pro

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