Punu-Lumbu ancestor statue - Gabon






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Description from the seller
Origin. Gabon
Tribe name. Bapunou
Material. Wood
Dimension. 52 cm
Shipping method. Colissimo within 24-48h, open.
This decorative wood sculpture is a magnificent representation of a motherhood figure (phemba or pfemba), deeply rooted in the artistic traditions of the Ogooué River basin cultural area in Gabon, and more precisely associated with the Punu, Lumbo, or related groups (such as neighboring Vili or Yombe, which share strong stylistic influences).
The Face and the Hairstyle: The face features the classic and idealized traits of feminine beauty according to the criteria of this region. The eyes are almond-shaped, half-closed, evoking serenity, inner life, or a connection with the world of spirits. The hairstyle is particularly elaborate, structured into braids or rounded coils, topped with a crest or a summit bun (often called poko).
The Adornments: The figure wears a rigid, prominent neck ring or collar, underscoring an upright bearing.
The Theme of Maternity
The Posture: The mother is depicted standing on an integrated circular base, the legs slightly bent.
The Child: She lovingly holds her child horizontally or slightly inclined at hip level, supported by both hands. The child is carved with care, its own face turned upward or toward the mother.
Symbolism: Among the Punu and Lumbo, the maternity figure is not limited to a simple scene of daily life. It embodies the continuity of lineage, fertility, protection of descendants, and the sacred bond with ancestors who grant life.
Cultural Context and Usage
These statuettes were generally kept in family or clan shrines, or used by secret societies and diviners. They could serve to:
- Promote the fertility of women in the community.
- Protect pregnant women and newborns from evil spirits or illnesses.
- Serve as a receptacle for the spirit of a protective ancestor.
Origin. Gabon
Tribe name. Bapunou
Material. Wood
Dimension. 52 cm
Shipping method. Colissimo within 24-48h, open.
This decorative wood sculpture is a magnificent representation of a motherhood figure (phemba or pfemba), deeply rooted in the artistic traditions of the Ogooué River basin cultural area in Gabon, and more precisely associated with the Punu, Lumbo, or related groups (such as neighboring Vili or Yombe, which share strong stylistic influences).
The Face and the Hairstyle: The face features the classic and idealized traits of feminine beauty according to the criteria of this region. The eyes are almond-shaped, half-closed, evoking serenity, inner life, or a connection with the world of spirits. The hairstyle is particularly elaborate, structured into braids or rounded coils, topped with a crest or a summit bun (often called poko).
The Adornments: The figure wears a rigid, prominent neck ring or collar, underscoring an upright bearing.
The Theme of Maternity
The Posture: The mother is depicted standing on an integrated circular base, the legs slightly bent.
The Child: She lovingly holds her child horizontally or slightly inclined at hip level, supported by both hands. The child is carved with care, its own face turned upward or toward the mother.
Symbolism: Among the Punu and Lumbo, the maternity figure is not limited to a simple scene of daily life. It embodies the continuity of lineage, fertility, protection of descendants, and the sacred bond with ancestors who grant life.
Cultural Context and Usage
These statuettes were generally kept in family or clan shrines, or used by secret societies and diviners. They could serve to:
- Promote the fertility of women in the community.
- Protect pregnant women and newborns from evil spirits or illnesses.
- Serve as a receptacle for the spirit of a protective ancestor.
