Koré monkey mask - Bambara - Mali





Add to your favourites to get an alert when the auction starts.

A decade of experience in historical arms, armour, and African art.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 135470 reviews
Rated Excellent on Trustpilot.
Description from the seller
Mali
Dogon
Bois
Height: 320mm
Width: 180mm
Depth: 140mm
The monkey mask (Sula or Sulaw) of the Koré society occupied a radically different place from the other animal masks. Whereas the lion embodied dignity and the antelope spiritual purity, the monkey was the main actor in a true theater of mockery and social satire.
Here is how this type of masks were concretely used during rituals:
1. A performance based on transgression and mockery
During the great public festival that closed the initiation rites (every ~7 years), the dancers wearing the monkey mask did not adopt a solemn posture. On the contrary, they mimed behaviors deemed impure, grotesque or absurd:
They imitated the grimaces, nervous agitation and the crouched posture of the animal.
They engaged in parodies of the sexual act, stole food from spectators or rolled in the dust.
They directly attacked the notables and elders of the village with provocative gestures, ridiculing the authority and strict moral rules of the community.
2. A pedagogical function through the absurd
Behind this apparent anarchy and bursts of laughter lay a crucial educational function. For the Bambara, the monkey embodies indiscipline, superficial cunning and lack of self-control.
By showing the public (and especially the new initiates) these outrageous behaviors, the mask served as a counterexample. It staged the savagery and primitive impulses of man to better teach, by contrast, the virtues of restraint (fanga), silence and dignity that any accomplished person must acquire within society.
3. The costume and accessorizing
To reinforce the mocking aspect and break with the rigid sacredness of other secret societies (like the Komo or the Kono), the wearer of the monkey mask used specific attributes:
The costume was often lighter or made of old rags, coarse fibers and vines, evoking poverty or intellectual deprivation.
The dancers frequently held parodic accessories, such as wooden fake sabers or phallic sticks, to emphasize their comical facial expressions and their interactions with the crowd.
In short, the monkey mask was the community's outlet: a space of total freedom and therapeutic laughter where taboos were temporarily lifted to better reaffirm social order once the festival ended.
The packages are sent from Monday to Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide via Colissimo International.
We speak English
Mask African art African mask art arte de máscaras africanas arte delle maschere africane
statue african art African statue art arte de estatuas africanas arte delle statue africane
Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Mali
Dogon
Bois
Height: 320mm
Width: 180mm
Depth: 140mm
The monkey mask (Sula or Sulaw) of the Koré society occupied a radically different place from the other animal masks. Whereas the lion embodied dignity and the antelope spiritual purity, the monkey was the main actor in a true theater of mockery and social satire.
Here is how this type of masks were concretely used during rituals:
1. A performance based on transgression and mockery
During the great public festival that closed the initiation rites (every ~7 years), the dancers wearing the monkey mask did not adopt a solemn posture. On the contrary, they mimed behaviors deemed impure, grotesque or absurd:
They imitated the grimaces, nervous agitation and the crouched posture of the animal.
They engaged in parodies of the sexual act, stole food from spectators or rolled in the dust.
They directly attacked the notables and elders of the village with provocative gestures, ridiculing the authority and strict moral rules of the community.
2. A pedagogical function through the absurd
Behind this apparent anarchy and bursts of laughter lay a crucial educational function. For the Bambara, the monkey embodies indiscipline, superficial cunning and lack of self-control.
By showing the public (and especially the new initiates) these outrageous behaviors, the mask served as a counterexample. It staged the savagery and primitive impulses of man to better teach, by contrast, the virtues of restraint (fanga), silence and dignity that any accomplished person must acquire within society.
3. The costume and accessorizing
To reinforce the mocking aspect and break with the rigid sacredness of other secret societies (like the Komo or the Kono), the wearer of the monkey mask used specific attributes:
The costume was often lighter or made of old rags, coarse fibers and vines, evoking poverty or intellectual deprivation.
The dancers frequently held parodic accessories, such as wooden fake sabers or phallic sticks, to emphasize their comical facial expressions and their interactions with the crowd.
In short, the monkey mask was the community's outlet: a space of total freedom and therapeutic laughter where taboos were temporarily lifted to better reaffirm social order once the festival ended.
The packages are sent from Monday to Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide via Colissimo International.
We speak English
Mask African art African mask art arte de máscaras africanas arte delle maschere africane
statue african art African statue art arte de estatuas africanas arte delle statue africane
Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
