Nigeria






A decade of experience in historical arms, armour, and African art.
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Description from the seller
Origin. Nigeria
Tribe name. Ekoï
Material. Wood
Dimension. 28 cm
Shipping method. Colissimo within 24-48h open
This decorative wooden sculpture, typical of the traditional art of the Ekoï (also known as Ejagham), from the border region between Nigeria and Cameroon, is a remarkable piece that bears witness to refined artistic craftsmanship.
The face expresses great intensity. The open mouth, revealing a row of sculpted teeth, gives the sculpture a sense of movement, as if it were about to speak, sing, or cry.
Gaze: The eyes are almond-shaped, with deeply marked pupils, which enhances the living, observant aspect of the face.
Stylistic Details
-Neck rings: The neck is cylindrical and adorned with multiple horizontal relief rings. In the iconography of this region, these rings are often associated with beauty standards, wealth, or high social status.
-Coiffure: The top of the skull is worked with a precise texture, evoking scarifications or a complex hairstyle, a very recurring element in Ejagham masks and statues.
Function and Structure
-Wicker base: The presence of a woven fiber base is a key indicator of its function. These heads were usually mounted on wicker supports to be worn as headpieces (headdresses) during ritual ceremonies or dances by secret societies (such as the Ngbe or Leopard Society).
Ritual use: This type of object was not merely decorative; it served as a spiritual intermediary, often embodying spirits of nature or ancestors during masked performances.
Origin. Nigeria
Tribe name. Ekoï
Material. Wood
Dimension. 28 cm
Shipping method. Colissimo within 24-48h open
This decorative wooden sculpture, typical of the traditional art of the Ekoï (also known as Ejagham), from the border region between Nigeria and Cameroon, is a remarkable piece that bears witness to refined artistic craftsmanship.
The face expresses great intensity. The open mouth, revealing a row of sculpted teeth, gives the sculpture a sense of movement, as if it were about to speak, sing, or cry.
Gaze: The eyes are almond-shaped, with deeply marked pupils, which enhances the living, observant aspect of the face.
Stylistic Details
-Neck rings: The neck is cylindrical and adorned with multiple horizontal relief rings. In the iconography of this region, these rings are often associated with beauty standards, wealth, or high social status.
-Coiffure: The top of the skull is worked with a precise texture, evoking scarifications or a complex hairstyle, a very recurring element in Ejagham masks and statues.
Function and Structure
-Wicker base: The presence of a woven fiber base is a key indicator of its function. These heads were usually mounted on wicker supports to be worn as headpieces (headdresses) during ritual ceremonies or dances by secret societies (such as the Ngbe or Leopard Society).
Ritual use: This type of object was not merely decorative; it served as a spiritual intermediary, often embodying spirits of nature or ancestors during masked performances.
