Mambila mask - Nigeria






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Description from the seller
Origin. Nigeria
Tribe name. Mambila
Material. Wood
Dimension. H 38. L 15 cm
Shipping method. Colissimo within 24-48h, please open
This is a typical and remarkable example of a decorative Mambila mask, originating from the border region between Nigeria and Cameroon. In the context of African tribal art, this piece is associated with the Suaga (or Sukwak) society.
This mask features highly stylized zoomorphic traits. The elongated form and the gaping mouth, equipped with sculpted teeth, generally evoke a crocodile or a reptilian creature, symbols of power and danger in Mambila culture.
One of the most distinctive traits of this mask is the pair of globular eyes mounted on rods or tubular protrusions. This exaggeration of the eyes is a classic iconographic element among the Mambila, aimed at giving the mask a supernatural expression and keen vision.
The form is both robust and angular, typical of Mambila sculpture which favors geometric volumes over pure naturalism.
The Suaga Society: These masks are the emblems of the Suaga society, a male organization that plays the role of social regulator. This society is responsible for maintaining order, resolving disputes, and enforcing community justice.
The mask bearer intervened during healing rituals, initiations, or ceremonies related to managing the village’s judicial affairs. The mask acts as an intermediary between the world of spirits (whose power it channels) and the human community.
By wearing this mask, the dancer embodies a protective and formidable force. The crocodile, due to its habitat (between land and water), is often seen as a mediator or a force capable of navigating between different worlds, which reinforces the wearer’s authority during decisions made by the Suaga society.
Origin. Nigeria
Tribe name. Mambila
Material. Wood
Dimension. H 38. L 15 cm
Shipping method. Colissimo within 24-48h, please open
This is a typical and remarkable example of a decorative Mambila mask, originating from the border region between Nigeria and Cameroon. In the context of African tribal art, this piece is associated with the Suaga (or Sukwak) society.
This mask features highly stylized zoomorphic traits. The elongated form and the gaping mouth, equipped with sculpted teeth, generally evoke a crocodile or a reptilian creature, symbols of power and danger in Mambila culture.
One of the most distinctive traits of this mask is the pair of globular eyes mounted on rods or tubular protrusions. This exaggeration of the eyes is a classic iconographic element among the Mambila, aimed at giving the mask a supernatural expression and keen vision.
The form is both robust and angular, typical of Mambila sculpture which favors geometric volumes over pure naturalism.
The Suaga Society: These masks are the emblems of the Suaga society, a male organization that plays the role of social regulator. This society is responsible for maintaining order, resolving disputes, and enforcing community justice.
The mask bearer intervened during healing rituals, initiations, or ceremonies related to managing the village’s judicial affairs. The mask acts as an intermediary between the world of spirits (whose power it channels) and the human community.
By wearing this mask, the dancer embodies a protective and formidable force. The crocodile, due to its habitat (between land and water), is often seen as a mediator or a force capable of navigating between different worlds, which reinforces the wearer’s authority during decisions made by the Suaga society.
