Altar mask - Baule - Côte d'Ivoire





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Description from the seller
Ivory Coast
Baoulé
Bronze
Height: 425mm
Width: 155mm
Depth: 155mm
Weight: 1700g
This mask draws directly from the statuary and goldsmith traditions of central Ivory Coast cultures (mainly Baoulé or Yaouré), but reinterpreted here in the form of prestige bronze.
Here is the real analysis of its use and meaning:
1. Stylistic decoding: Pure Ivorian codes
The morphological examination reveals beauty criteria typical of the Baoulé and Yaouré cultures:
The annulated face and neck: The treatment of the almond eyes finely incised (DSC8587_2.jpg), the small slightly open mouth imitating a chant or breath, and especially the frontal scarifications (the three vertical lines) are characteristic. The long annulated neck simulates folds of flesh, symbols of beauty, good health and maturity in Côte d'Ivoire.
The tall pointed headdress: The elongated pyramid structure covered with a geometric network of twists is inspired by wooden dance masks (such as some Gouro or Yaouré entertainment masks). It imitates the intricate braided hairstyles worn by high-ranking women or initiates during ceremonies.
2. Use and function: A prestige and power object (Amwin)
A ceremonial or parade mask: Unlike wooden pieces, this metal-heavy object was not designed to be worn on the face during frenzied ritual dances. The absence of regular mounting holes for a costume and the presence of two rear support tenons confirm its static role.
The Clan’s Treasure: Among the Baoulé (a group within the Akan cultural family), alloy objects constituted the “family treasure” or royal treasure. They were kept out of sight and only brought out on grand occasions: commemorations, funerals of notable figures, or inaugurations of chiefs. They were displayed on sacred stools or solemnly carried in hand.
The Ancestor Cult: By catching the light, the bronze materialized the immaterial presence of ancestors. Unlike wood that deteriorates, metal embodies permanence, political power stability, and continuity of lineage through time.
3. Technical aspect and patina
Regarding the back, it shows the reverse side of the casting. One can see a green oxidation patina (verdigris) due to the copper content in the alloy. The two feet or handles at the back allowed either to fix the object to a support or to hold it firmly during processions without touching the sacred face.
The parcels are shipped Monday to Saturday with insurance and tracking number.
Delivery within 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union.
Delivery to the rest of Europe and worldwide via Colissimo International.
We speak English
Mask African art African mask art Arte de máscaras africanas arte delle maschere africane
statue African art Statue of African art Arte de estatuas africanas arte delle statue africane African mask art
Máscara de estatua de galería de arte africano
Seller's Story
Ivory Coast
Baoulé
Bronze
Height: 425mm
Width: 155mm
Depth: 155mm
Weight: 1700g
This mask draws directly from the statuary and goldsmith traditions of central Ivory Coast cultures (mainly Baoulé or Yaouré), but reinterpreted here in the form of prestige bronze.
Here is the real analysis of its use and meaning:
1. Stylistic decoding: Pure Ivorian codes
The morphological examination reveals beauty criteria typical of the Baoulé and Yaouré cultures:
The annulated face and neck: The treatment of the almond eyes finely incised (DSC8587_2.jpg), the small slightly open mouth imitating a chant or breath, and especially the frontal scarifications (the three vertical lines) are characteristic. The long annulated neck simulates folds of flesh, symbols of beauty, good health and maturity in Côte d'Ivoire.
The tall pointed headdress: The elongated pyramid structure covered with a geometric network of twists is inspired by wooden dance masks (such as some Gouro or Yaouré entertainment masks). It imitates the intricate braided hairstyles worn by high-ranking women or initiates during ceremonies.
2. Use and function: A prestige and power object (Amwin)
A ceremonial or parade mask: Unlike wooden pieces, this metal-heavy object was not designed to be worn on the face during frenzied ritual dances. The absence of regular mounting holes for a costume and the presence of two rear support tenons confirm its static role.
The Clan’s Treasure: Among the Baoulé (a group within the Akan cultural family), alloy objects constituted the “family treasure” or royal treasure. They were kept out of sight and only brought out on grand occasions: commemorations, funerals of notable figures, or inaugurations of chiefs. They were displayed on sacred stools or solemnly carried in hand.
The Ancestor Cult: By catching the light, the bronze materialized the immaterial presence of ancestors. Unlike wood that deteriorates, metal embodies permanence, political power stability, and continuity of lineage through time.
3. Technical aspect and patina
Regarding the back, it shows the reverse side of the casting. One can see a green oxidation patina (verdigris) due to the copper content in the alloy. The two feet or handles at the back allowed either to fix the object to a support or to hold it firmly during processions without touching the sacred face.
The parcels are shipped Monday to Saturday with insurance and tracking number.
Delivery within 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union.
Delivery to the rest of Europe and worldwide via Colissimo International.
We speak English
Mask African art African mask art Arte de máscaras africanas arte delle maschere africane
statue African art Statue of African art Arte de estatuas africanas arte delle statue africane African mask art
Máscara de estatua de galería de arte africano
