Figure - Virgen en Pedestal - Silver, Marble





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Specialised in Spanish and Portuguese silver with over 10 years in galleries and auctions.
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Description from the seller
It is a nineteenth-century silver Virgin that concentrates all the contained drama and the elegant theatricality of the Baroque, reinterpreted in devotional terms.
The figure, weighing about 400 grams of silver not counting the internal structure or base, rises with solemn verticality: the mantle falls in deep, almost architectural folds that envelop the body like a metallic cascade, while the tunic hints at a gentle movement, more spiritual than physical.
The face, serene and slightly inclined, responds to the late Baroque canon: full cheeks, downcast gaze, a sweetness that is not naïve but meditative.
The Child, held with firmness and tenderness, presents the same meticulous workmanship, with burin-worked hair and a small but proportionate anatomy, typical of Peninsular workshops of the nineteenth century that followed models from the previous century.
The pedestal, of independent construction, acts as a counterpoint: it elevates the figure and separates it from the everyday world, reinforcing its character as an object of devotion. The silver, with its restrained shine and its antique patina, lends a noble, almost liturgical presence, reminiscent of processional images of smaller format or of pieces intended for private oratories.
Taken together, it is a work that combines devotion, craftsmanship, and Baroque theatricality, a sculpture designed to accompany silently, with the symbolic density and sober beauty of antique plating.
Certified shipment and careful packaging.
Seller's Story
It is a nineteenth-century silver Virgin that concentrates all the contained drama and the elegant theatricality of the Baroque, reinterpreted in devotional terms.
The figure, weighing about 400 grams of silver not counting the internal structure or base, rises with solemn verticality: the mantle falls in deep, almost architectural folds that envelop the body like a metallic cascade, while the tunic hints at a gentle movement, more spiritual than physical.
The face, serene and slightly inclined, responds to the late Baroque canon: full cheeks, downcast gaze, a sweetness that is not naïve but meditative.
The Child, held with firmness and tenderness, presents the same meticulous workmanship, with burin-worked hair and a small but proportionate anatomy, typical of Peninsular workshops of the nineteenth century that followed models from the previous century.
The pedestal, of independent construction, acts as a counterpoint: it elevates the figure and separates it from the everyday world, reinforcing its character as an object of devotion. The silver, with its restrained shine and its antique patina, lends a noble, almost liturgical presence, reminiscent of processional images of smaller format or of pieces intended for private oratories.
Taken together, it is a work that combines devotion, craftsmanship, and Baroque theatricality, a sculpture designed to accompany silently, with the symbolic density and sober beauty of antique plating.
Certified shipment and careful packaging.
