Maternity statue - Baule - Côte d'Ivoire






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Statue maternité, a 48 cm tall Baoulé wooden sculpture from Côte d'Ivoire, depicting a maternal figure in the Akan-style with intricate scarifications.
Description from the seller
Ivory Coast
Baoulé
Wood
Height: 480mm
Width: 130mm
Depth: 130mm
This wooden sculpture, standing 48 cm tall, is a superb representation of maternity, originating from the Baoulé people of Ivory Coast. It strikingly embodies the standards of Akan-style statuary, characterized by the extreme care given to adornments, scarifications, and the balance of forms.
Here is the analysis of its origin, visual codes, and ritual functions:
1. Stylistic Characteristics and Description of the Object
Baoulé art values physical perfection as a reflection of moral beauty and spiritual maturity. This piece presents highly refined aesthetic attributes:
The Face and the Hairstyle: The female figure displays almond-shaped eyes finely drawn and discreet ritual incisions on the face. Her hair is sculpted into braids gathered into lobed chignons, a traditional motif that can be admired in detail from the back and from the profile.
Ritual Scarifications: The statue bears rich geometric relief motifs (chéloïdes). A broad pectoral band, beautifully carved, sits just above cone-shaped, firm breasts. The abdomen, slightly protruding around a prominent navel, is entirely covered with a grid-like network of tight scarifications. The neck, long and elegant, also features horizontal lines and geometric scarifications at the base of the neck.
The Posture of Maternity: On the back of the main figure, a small child is depicted clinging vertically. His arms and legs firmly encircle his mother's torso and hips. The child also bears scarification motifs on the back and sports a carefully styled coiffure.
The Patina: The whole wood has a dark, smooth, and glossy patina on the reliefs, indicating careful handling and the repeated application of ritual oils during its historical use.
2. Functional Use and Ritual Significance
In Baoulé culture, maternity statues of this type were not mere decorative objects but carried major spiritual significance:
A. The Cult of Fertility and Lineage
These effigies were primarily used as devotional objects for women facing difficulties conceiving or fearing for the life of their future child.
Placed on the family altar or consulted upon the recommendation of a diviner (wanzan), the statue served as a bridge to the unseen world. The expectant mother took care of it (offering symbolic food, kaolin or oil anointments) to attract the favor of protective spirits and ensure the continuity of the lineage.
B. The Figure of the Wife from the Afterlife (Blolo Bla)
In Baoulé cosmogony, every individual has a spiritual spouse in the afterlife (Blolo). If this spirit appeared jealous or disturbed the earthly life of its partner (causing infertility, singleness, or illness), the diviner ordered the creation of a statue to give it a physical form.
Representing the Blolo Bla in the likeness of an accomplished mother, adorned with the finest scarifications and a noble coiffure, was meant to flatter the spirit, appease its anger, and transform its jealousy into a benevolent force for the earthly home.
In summary
This 48 cm Baoulé sculpture is a model of balance and refinement. Through the delicacy of its chignon hairstyle, the richness of its chéloïdes, and the tenderness of its maternal posture, it remains a sacred receptacle intended to celebrate life, fertility, and the unbreakable bonds between the world of the living and the world of spirits.
Items are shipped with insurance and tracking number.
Fast and protected shipping. Packages are sent from Monday to Saturday.
Delivery between 1 and 3 days in France, 2 to 5 days throughout Europe.
Seller's Story
Ivory Coast
Baoulé
Wood
Height: 480mm
Width: 130mm
Depth: 130mm
This wooden sculpture, standing 48 cm tall, is a superb representation of maternity, originating from the Baoulé people of Ivory Coast. It strikingly embodies the standards of Akan-style statuary, characterized by the extreme care given to adornments, scarifications, and the balance of forms.
Here is the analysis of its origin, visual codes, and ritual functions:
1. Stylistic Characteristics and Description of the Object
Baoulé art values physical perfection as a reflection of moral beauty and spiritual maturity. This piece presents highly refined aesthetic attributes:
The Face and the Hairstyle: The female figure displays almond-shaped eyes finely drawn and discreet ritual incisions on the face. Her hair is sculpted into braids gathered into lobed chignons, a traditional motif that can be admired in detail from the back and from the profile.
Ritual Scarifications: The statue bears rich geometric relief motifs (chéloïdes). A broad pectoral band, beautifully carved, sits just above cone-shaped, firm breasts. The abdomen, slightly protruding around a prominent navel, is entirely covered with a grid-like network of tight scarifications. The neck, long and elegant, also features horizontal lines and geometric scarifications at the base of the neck.
The Posture of Maternity: On the back of the main figure, a small child is depicted clinging vertically. His arms and legs firmly encircle his mother's torso and hips. The child also bears scarification motifs on the back and sports a carefully styled coiffure.
The Patina: The whole wood has a dark, smooth, and glossy patina on the reliefs, indicating careful handling and the repeated application of ritual oils during its historical use.
2. Functional Use and Ritual Significance
In Baoulé culture, maternity statues of this type were not mere decorative objects but carried major spiritual significance:
A. The Cult of Fertility and Lineage
These effigies were primarily used as devotional objects for women facing difficulties conceiving or fearing for the life of their future child.
Placed on the family altar or consulted upon the recommendation of a diviner (wanzan), the statue served as a bridge to the unseen world. The expectant mother took care of it (offering symbolic food, kaolin or oil anointments) to attract the favor of protective spirits and ensure the continuity of the lineage.
B. The Figure of the Wife from the Afterlife (Blolo Bla)
In Baoulé cosmogony, every individual has a spiritual spouse in the afterlife (Blolo). If this spirit appeared jealous or disturbed the earthly life of its partner (causing infertility, singleness, or illness), the diviner ordered the creation of a statue to give it a physical form.
Representing the Blolo Bla in the likeness of an accomplished mother, adorned with the finest scarifications and a noble coiffure, was meant to flatter the spirit, appease its anger, and transform its jealousy into a benevolent force for the earthly home.
In summary
This 48 cm Baoulé sculpture is a model of balance and refinement. Through the delicacy of its chignon hairstyle, the richness of its chéloïdes, and the tenderness of its maternal posture, it remains a sacred receptacle intended to celebrate life, fertility, and the unbreakable bonds between the world of the living and the world of spirits.
Items are shipped with insurance and tracking number.
Fast and protected shipping. Packages are sent from Monday to Saturday.
Delivery between 1 and 3 days in France, 2 to 5 days throughout Europe.
