Crest / Helmet mask - Mama - Nigeria






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Wooden mask-casque (cimier) from the Mama people of Nigeria, with a height of 230 mm, width 250 mm and length 530 mm, provenance from the Mama of the Bénoué valley, in good condition and sold without a stand.
Description from the seller
Nigeria
Mama
Mask
Height: 230mm
Width: 250mm
Length: 530mm
This wooden mask-crest (or headdress) measuring 23 cm high comes from the Mama people (sometimes called Kantana), an ethnic group living in the upper Benue valley, in north-central Nigeria.
From an artistic standpoint, it is a remarkable example of abstraction and minimalism in West African statuary.
1. Stylistic Characteristics and Aesthetics
Purification of form: Unlike other Nigerian ritual styles that are highly figurative, Mama art favors lines of extreme sparseness. The mask consists of a hemispherical cap designed to hug the crown of the dancer’s head.
Zoomorphic hybridization: The sculpture stylizes the head of a large savannah animal. The front part forms a beak or jagged, open jaw (sometimes recalling a bird or a crocodile), while the rear is topped with two large curved flat horns that almost meet, magnificently depicting the savanna buffalo (Bubalus depressicornis).
Patina: The wood bears a rough, crusty, earthy patina, often linked to the application of red ochre pigments or ritual materials during ceremonies, typical of objects long activated in traditional contexts.
2. Use and Ritual Significance
Among the Mama, this type of mask-crest, sometimes associated with Mangam rituals, serves fundamental social and agricultural functions:
Agricultural cult and earth fertility: The buffalo is a symbol of power, vitality, and a bond with the wild nature. This mask was mainly exhibited during calendar-related agricultural rituals (marking seasons, harvest festivals) to solicit the benevolence of the spirits, ensure crop abundance, and fertility of the village women.
Funerary ceremonies: It also appeared at the funerals of dignitaries or important clan members to channel the energy of the deceased, purify the community, and maintain spiritual order between the world of the living and that of the ancestors.
Dance performance: Worn as a crest atop the head, the mask was complemented by a voluminous costume made of palm fiber or straw that fully covered the dancer’s body, transforming him into a moving spiritual entity during festivities.
Packages are sent Monday through Saturday with a tracking number.
Chronopost delivery within 1 to 3 days in France and 2 to 5 days across the European Union. Delivery for the rest of Europe and the world via Colissimo International.
We speak english.
mask african art African mask art Afrikaans mask art arte de máscaras africanas arte delle maschere africane Afrikanische Maskenkunst
Seller's Story
Nigeria
Mama
Mask
Height: 230mm
Width: 250mm
Length: 530mm
This wooden mask-crest (or headdress) measuring 23 cm high comes from the Mama people (sometimes called Kantana), an ethnic group living in the upper Benue valley, in north-central Nigeria.
From an artistic standpoint, it is a remarkable example of abstraction and minimalism in West African statuary.
1. Stylistic Characteristics and Aesthetics
Purification of form: Unlike other Nigerian ritual styles that are highly figurative, Mama art favors lines of extreme sparseness. The mask consists of a hemispherical cap designed to hug the crown of the dancer’s head.
Zoomorphic hybridization: The sculpture stylizes the head of a large savannah animal. The front part forms a beak or jagged, open jaw (sometimes recalling a bird or a crocodile), while the rear is topped with two large curved flat horns that almost meet, magnificently depicting the savanna buffalo (Bubalus depressicornis).
Patina: The wood bears a rough, crusty, earthy patina, often linked to the application of red ochre pigments or ritual materials during ceremonies, typical of objects long activated in traditional contexts.
2. Use and Ritual Significance
Among the Mama, this type of mask-crest, sometimes associated with Mangam rituals, serves fundamental social and agricultural functions:
Agricultural cult and earth fertility: The buffalo is a symbol of power, vitality, and a bond with the wild nature. This mask was mainly exhibited during calendar-related agricultural rituals (marking seasons, harvest festivals) to solicit the benevolence of the spirits, ensure crop abundance, and fertility of the village women.
Funerary ceremonies: It also appeared at the funerals of dignitaries or important clan members to channel the energy of the deceased, purify the community, and maintain spiritual order between the world of the living and that of the ancestors.
Dance performance: Worn as a crest atop the head, the mask was complemented by a voluminous costume made of palm fiber or straw that fully covered the dancer’s body, transforming him into a moving spiritual entity during festivities.
Packages are sent Monday through Saturday with a tracking number.
Chronopost delivery within 1 to 3 days in France and 2 to 5 days across the European Union. Delivery for the rest of Europe and the world via Colissimo International.
We speak english.
mask african art African mask art Afrikaans mask art arte de máscaras africanas arte delle maschere africane Afrikanische Maskenkunst
