Belt mask - Edo - Nigeria






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Masque de ceinture, a late 20th‑century Nigerian Edo bronze belt mask with provenance Edo culture.
Description from the seller
Nigeria
Edo
African bronze head
Height :
Width :
Depth :
Weight :
This head or mask-face is part of the pure artistic tradition of the Kingdom of Benin (Edo people, southwestern region of present-day Nigeria). Its dimension precisely conforms to the scale of portable masks or belt-hanging masks of this culture.
1. Stylistic Features and Court Attire
The coral crown: The top of the head is crowned with a very detailed geometric mesh imitating the assembly of red coral beads. The protruding cones and the rigid lateral braids that frame the face represent the exclusive adornments of the royal family and high court dignitaries of the Oba's (the king) court.
Ritual scarifications: Above each eye, there are vertical relief marks (usually three or four). These frontal scarifications, associated with large eyes opened and eyelids lined, were the mark of nobility and Edo identity.
The neck frill: The base of the face flares into a striated neck frill that depicts the successive ranks of heavy coral necklaces worn by high-ranking individuals down to the chin during official ceremonies.
The concave structure: The piece is hollow and open at the back, cast using the lost-wax technique. It features pass-throughs or small attachment loops along the rim.
2. Use and Ritual Role: The Hip Emblem (Uhunmwu-Ekpen)
In the highly hierarchical protocol of the Kingdom of Benin, a bronze mask of this size had precise functions:
A belt or hip mask: Due to its intermediate size and its hollow back with attachments, this object was worn at the waist, fixed at the hip or on the chest by the Oba himself or by war chiefs during major state parades (such as the ritual Igue festivals).
A spiritual and political shield: Worn on ceremonial dress, this unalterable bronze face reminded all of the authority and divine legitimacy of the wearer. It also served as a protective amulet to repel sorcerous forces or enemies of the crown.
Commemorative evocations: Although the narratives sometimes view it as a "queen's head" or a reference to "Ife", these idealized faces celebrated more broadly the ancestors of the court, the Iyoba (Queen Mother) or prestigious chiefs, bridging the world of the living and the spiritual authority of the royal deceased.
Fast and protected shipping. Packages are sent with tracking numbers. Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
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statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Seller's Story
Nigeria
Edo
African bronze head
Height :
Width :
Depth :
Weight :
This head or mask-face is part of the pure artistic tradition of the Kingdom of Benin (Edo people, southwestern region of present-day Nigeria). Its dimension precisely conforms to the scale of portable masks or belt-hanging masks of this culture.
1. Stylistic Features and Court Attire
The coral crown: The top of the head is crowned with a very detailed geometric mesh imitating the assembly of red coral beads. The protruding cones and the rigid lateral braids that frame the face represent the exclusive adornments of the royal family and high court dignitaries of the Oba's (the king) court.
Ritual scarifications: Above each eye, there are vertical relief marks (usually three or four). These frontal scarifications, associated with large eyes opened and eyelids lined, were the mark of nobility and Edo identity.
The neck frill: The base of the face flares into a striated neck frill that depicts the successive ranks of heavy coral necklaces worn by high-ranking individuals down to the chin during official ceremonies.
The concave structure: The piece is hollow and open at the back, cast using the lost-wax technique. It features pass-throughs or small attachment loops along the rim.
2. Use and Ritual Role: The Hip Emblem (Uhunmwu-Ekpen)
In the highly hierarchical protocol of the Kingdom of Benin, a bronze mask of this size had precise functions:
A belt or hip mask: Due to its intermediate size and its hollow back with attachments, this object was worn at the waist, fixed at the hip or on the chest by the Oba himself or by war chiefs during major state parades (such as the ritual Igue festivals).
A spiritual and political shield: Worn on ceremonial dress, this unalterable bronze face reminded all of the authority and divine legitimacy of the wearer. It also served as a protective amulet to repel sorcerous forces or enemies of the crown.
Commemorative evocations: Although the narratives sometimes view it as a "queen's head" or a reference to "Ife", these idealized faces celebrated more broadly the ancestors of the court, the Iyoba (Queen Mother) or prestigious chiefs, bridging the world of the living and the spiritual authority of the royal deceased.
Fast and protected shipping. Packages are sent with tracking numbers. Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
