Ceremonial mask - Bassa / Dan - Liberia






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Ceremonial wooden mask from the Bassa/Dan people of Liberia, in good condition, delivered with a wooden stand; dimensions 230 x 135 x 65 mm.
Description from the seller
Liberia
Bassa / Dan
Bois
Height: 230mm
Width: 135mm
Depth: 65mm
Delivered with a nice wooden base
This 23 cm wooden mask originates from the Bassa people, an ethnic group mainly living in Liberia, in the forest region, whose artistic and social traditions share similarities with their neighbors, notably the Dan (sometimes grouped under the term "Dan-Bassa" in stylistic analyses).
Here are the key elements about its origin and function:
1. Stylistic Characteristics
The facial structure: The mask is distinguished by a harmonious oval shape, a prominent, rounded forehead, often highlighted by a decorative carved border. The eyes, round and protruding, are a strong visual signature, as is the open mouth that seems to come alive.
The patina: The dark, lustrous, deep surface testifies to prolonged ritual use. This patina is not merely aesthetic: it results from ritual anointment (oils, vegetal or sacrificial substances) applied over time to nourish the spirit of the mask.
The workmanship: The back of the mask shows traces of manual gouge carving, with notches around the edge to attach the fiber or fabric costume that entirely covered the dancer during ceremonies.
2. Use and Significance
In Bassa traditional society, the mask is not a lifeless object but a living entity, a temporary embodiment of the forest spirits:
Social and judicial role: This type of mask was used within initiatory societies, such as the Poro society. It intervened in resolving internal conflicts, mediating, or restoring social order. Its presence at a ceremony ensured that decisions or judgments were under the guidance of ancestral wisdom rather than mere human will.
The Spirit Mask: When worn, the dancer becomes the mask. He loses his own identity to embody a protective or educational spirit. These masks were worn during youth initiation cycles or for major community events (funerals of notable people, harvest festivals), where they danced to purify the space and bless the community.
Spiritual communication: The mask bearer acted as a bridge between the human world and the invisible world. Through his dance, codified movements, and the sounds he emitted, the mask served to channel spiritual forces to maintain balance within the village.
These intermediate-sized pieces, such as this one, were often high-quality masks intended to be worn by senior initiates, whose value lay as much in the artistic mastery of sculpture as in the ritual efficacy attributed to the mask.
Fast and secure shipping. Packages are sent with insurance and tracking number.
Delivery within 1 to 3 days in France, 2 to 5 days in the European Union.
Worldwide delivery with Colissimo International.
The price does not include various taxes and customs duties.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Liberia
Bassa / Dan
Bois
Height: 230mm
Width: 135mm
Depth: 65mm
Delivered with a nice wooden base
This 23 cm wooden mask originates from the Bassa people, an ethnic group mainly living in Liberia, in the forest region, whose artistic and social traditions share similarities with their neighbors, notably the Dan (sometimes grouped under the term "Dan-Bassa" in stylistic analyses).
Here are the key elements about its origin and function:
1. Stylistic Characteristics
The facial structure: The mask is distinguished by a harmonious oval shape, a prominent, rounded forehead, often highlighted by a decorative carved border. The eyes, round and protruding, are a strong visual signature, as is the open mouth that seems to come alive.
The patina: The dark, lustrous, deep surface testifies to prolonged ritual use. This patina is not merely aesthetic: it results from ritual anointment (oils, vegetal or sacrificial substances) applied over time to nourish the spirit of the mask.
The workmanship: The back of the mask shows traces of manual gouge carving, with notches around the edge to attach the fiber or fabric costume that entirely covered the dancer during ceremonies.
2. Use and Significance
In Bassa traditional society, the mask is not a lifeless object but a living entity, a temporary embodiment of the forest spirits:
Social and judicial role: This type of mask was used within initiatory societies, such as the Poro society. It intervened in resolving internal conflicts, mediating, or restoring social order. Its presence at a ceremony ensured that decisions or judgments were under the guidance of ancestral wisdom rather than mere human will.
The Spirit Mask: When worn, the dancer becomes the mask. He loses his own identity to embody a protective or educational spirit. These masks were worn during youth initiation cycles or for major community events (funerals of notable people, harvest festivals), where they danced to purify the space and bless the community.
Spiritual communication: The mask bearer acted as a bridge between the human world and the invisible world. Through his dance, codified movements, and the sounds he emitted, the mask served to channel spiritual forces to maintain balance within the village.
These intermediate-sized pieces, such as this one, were often high-quality masks intended to be worn by senior initiates, whose value lay as much in the artistic mastery of sculpture as in the ritual efficacy attributed to the mask.
Fast and secure shipping. Packages are sent with insurance and tracking number.
Delivery within 1 to 3 days in France, 2 to 5 days in the European Union.
Worldwide delivery with Colissimo International.
The price does not include various taxes and customs duties.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
