Reliquary Kota - Gabon






Holds a postgraduate degree in African studies and 15 years experience in African art.
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Description from the seller
Origin. Gabon
Tribe name. Bakota
Material. Wood
Dimension. 60 cm
Shipping mode. Colissimo within 24-48h, open
reliquary figure of Kota type (originating from Gabon). These objects, traditionally called mbulu-ngulu, were designed to protect and watch over the bones of ancestors kept in baskets or containers.
Stylized structure: The piece presents the classic silhouette of Kota figures, characterized by an extreme simplification of human forms. It consists of a prominent head, a cylindrical neck, and a body reduced to an openwork diamond-shaped form (often representing a stylized body or the support on which the piece was affixed).
The head and headdress: The most distinctive element is the monumental crescent-shaped headdress that surmounts the face. The face itself is concave, typical of many Kota stylistic variants, with minimalist features: almond-shaped eyes, a straight nose, and a drawn mouth.
Base: The object is presented on a modern black pedestal, which stabilizes its vertical structure for display.
In summary, this is a tribal art piece with strong symbolic value, where the sobriety of the wood emphasizes the graphic and ritual power of the form.
Origin. Gabon
Tribe name. Bakota
Material. Wood
Dimension. 60 cm
Shipping mode. Colissimo within 24-48h, open
reliquary figure of Kota type (originating from Gabon). These objects, traditionally called mbulu-ngulu, were designed to protect and watch over the bones of ancestors kept in baskets or containers.
Stylized structure: The piece presents the classic silhouette of Kota figures, characterized by an extreme simplification of human forms. It consists of a prominent head, a cylindrical neck, and a body reduced to an openwork diamond-shaped form (often representing a stylized body or the support on which the piece was affixed).
The head and headdress: The most distinctive element is the monumental crescent-shaped headdress that surmounts the face. The face itself is concave, typical of many Kota stylistic variants, with minimalist features: almond-shaped eyes, a straight nose, and a drawn mouth.
Base: The object is presented on a modern black pedestal, which stabilizes its vertical structure for display.
In summary, this is a tribal art piece with strong symbolic value, where the sobriety of the wood emphasizes the graphic and ritual power of the form.
