Pair of statues - Lobi - Mali






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€100 | ||
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€50 |
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Description from the seller
Burkina Faso
Lobi
Wood
Dimensions :
The small figure: on the left height: 315mm width: 60mm - depth: 45mm
The large figure: height: 445mm width: 85mm - depth: 95mm
Small figure: feet missing
Large figure: one leg missing
1. Origin and stylistic analysis: Two distinct pieces
The visual examination shows that this is not a pair of ancestors carved by the same hand, but two objects with different functions and styles.
The left statuette (31 cm): A classic Lobi Bateba
Morphology: It is a standing male figure with fully exposed anatomy. It bears the distinctive traits of Lobi statuary: an oval head, a long straight nose, protruding ears, and a grave-faced expression. The arms frame the torso in a hieratic manner and the hands rest discreetly on the top of the thighs.
Patina: It presents a light, matte, dried surface, characteristic of wood exposed to the dry savanna air or on an inner altar.
The right sculpture (44 cm): A sanctuary stake or pole figure
Morphology: This piece radically breaks with the first. The body of the statue is not differentiated: it is reduced to a long rough wooden shaft, faceted vertically with a polisher, ending in a rough base (seemingly broken or intended to be planted in the ground). Only the head is sculpted at the top, bearing a stylized face with eyes ringed by a double rim and large rectangular ears.
Cultural affinity: This type of anthropomorphic statuette on a stake or “fetish pole” is found among the Lobi, but also very common among their neighbors the Moba (Togo/Burkina Faso, under the name Chidigo) or the Oron/Ekoi in ritual pole contexts. It is a form of radical sacred abstraction.
2. Ritual use: Intercession and grounding in the sanctuary
These two objects were designed to occupy the spiritual heart of the traditional home (the soukhala) or an outdoor sanctuary:
The role of the Bateba (left): Among the Lobi, this piece is commissioned from a sculptor by a diviner to materialize a bush spirit (Thil). Placed on the family altar, it serves as an invisible sentinel to absorb illness, counter curses and intercept attacks from sorcerers.
The role of the anthropomorphic stake (right): The stake/pillar structure of the large piece indicates a foundation or grounding function. These pieces were either planted directly in the sacred courtyard ground or inserted in the middle of a mound of earth and sacrificial clay forming the clan’s main altar. Libations of millet beer or bloody sacrifices were regularly poured here to honor the residing entity.
3. Meaning: The protection of the family territory
Although morphologically very different, these two sculptures share the same metaphysical purpose within the Vaolo (voltaic) societies:
A shield against disorder: For these peoples, the bush world is peopled with invisible forces potentially dangerous. Introducing these figures into the domestic space helps domesticate these forces to turn them into allies.
Dialogue with the invisible: When gathered or placed on the same altar space, the figurative statuette and the pole-column form a communication hub. They recall the absolute dependence of the living on the decrees of protective spirits and the memory of the founders of the place, thereby ensuring health, descendant, and peace for the household.
Packages are shipped from Monday to Saturday with a tracking number.
Delivery via Chronopost within 1 to 3 days in France and 2 to 5 days across the European Union. Delivery to the rest of Europe and the world via Colissimo International.
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Seller's Story
Burkina Faso
Lobi
Wood
Dimensions :
The small figure: on the left height: 315mm width: 60mm - depth: 45mm
The large figure: height: 445mm width: 85mm - depth: 95mm
Small figure: feet missing
Large figure: one leg missing
1. Origin and stylistic analysis: Two distinct pieces
The visual examination shows that this is not a pair of ancestors carved by the same hand, but two objects with different functions and styles.
The left statuette (31 cm): A classic Lobi Bateba
Morphology: It is a standing male figure with fully exposed anatomy. It bears the distinctive traits of Lobi statuary: an oval head, a long straight nose, protruding ears, and a grave-faced expression. The arms frame the torso in a hieratic manner and the hands rest discreetly on the top of the thighs.
Patina: It presents a light, matte, dried surface, characteristic of wood exposed to the dry savanna air or on an inner altar.
The right sculpture (44 cm): A sanctuary stake or pole figure
Morphology: This piece radically breaks with the first. The body of the statue is not differentiated: it is reduced to a long rough wooden shaft, faceted vertically with a polisher, ending in a rough base (seemingly broken or intended to be planted in the ground). Only the head is sculpted at the top, bearing a stylized face with eyes ringed by a double rim and large rectangular ears.
Cultural affinity: This type of anthropomorphic statuette on a stake or “fetish pole” is found among the Lobi, but also very common among their neighbors the Moba (Togo/Burkina Faso, under the name Chidigo) or the Oron/Ekoi in ritual pole contexts. It is a form of radical sacred abstraction.
2. Ritual use: Intercession and grounding in the sanctuary
These two objects were designed to occupy the spiritual heart of the traditional home (the soukhala) or an outdoor sanctuary:
The role of the Bateba (left): Among the Lobi, this piece is commissioned from a sculptor by a diviner to materialize a bush spirit (Thil). Placed on the family altar, it serves as an invisible sentinel to absorb illness, counter curses and intercept attacks from sorcerers.
The role of the anthropomorphic stake (right): The stake/pillar structure of the large piece indicates a foundation or grounding function. These pieces were either planted directly in the sacred courtyard ground or inserted in the middle of a mound of earth and sacrificial clay forming the clan’s main altar. Libations of millet beer or bloody sacrifices were regularly poured here to honor the residing entity.
3. Meaning: The protection of the family territory
Although morphologically very different, these two sculptures share the same metaphysical purpose within the Vaolo (voltaic) societies:
A shield against disorder: For these peoples, the bush world is peopled with invisible forces potentially dangerous. Introducing these figures into the domestic space helps domesticate these forces to turn them into allies.
Dialogue with the invisible: When gathered or placed on the same altar space, the figurative statuette and the pole-column form a communication hub. They recall the absolute dependence of the living on the decrees of protective spirits and the memory of the founders of the place, thereby ensuring health, descendant, and peace for the household.
Packages are shipped from Monday to Saturday with a tracking number.
Delivery via Chronopost within 1 to 3 days in France and 2 to 5 days across the European Union. Delivery to the rest of Europe and the world via Colissimo International.
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
