ALTAR STATUE - KONGO-VILI - Bakongo - DR Congo






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Description from the seller
Origin. Democratic Republic of the Congo
Tribe name. Bakongo
Material. Wood
Dimension. 40 cm
Shipment mode. Colissimo within 24-48h open.
This decorative piece is a fascinating work of traditional Kongo art, more precisely attributed to the Vili group (coastal region of the Republic of the Congo, Cabinda, or the DRC).
This figurine belongs to the category of Minkisi (singular: Nkisi). They are not mere decorative objects, but receptacles meant to harbor spiritual forces for protection, healing, or justice.
The ventral receptacle (Bilongo): The most distinctive element is the circular cavity at the abdomen level. Originally, it contained magico-medicinal substances (bilongo), often sealed by a piece of mirror or glass. The mirror allowed the spirit world to “see” intruders or culprits.
The posture: The figure is represented in a crouched or semi-bent position on a circular base, a posture that suggests both tension, vigilance, and ritual readiness.
The Vili style is characterized by a certain naturalism, particularly visible in the treatment of the face:
The gaze: The eyes are often inlaid with glass or porcelain (or painted white), symbolizing clairvoyance and the ability to see in the world of the invisible.
The head and headdress: The skull is elongated, topped with a sculpted headdress that often resembles the mpu bonnet worn by chiefs or notables, marking the high social status of the represented entity.
The arms: The arms are carved in an angular manner, brought forward, which emphasizes the geometry of the chest and the importance of the central receptacle.
Wood: The piece is carved from dense, dark wood.
Additional elements: The presence of fibers or textiles at the base of the belly (the fiber “skirt”) reinforces the ritual and “dressed” appearance of the statue.
Symbolic synthesis
In Kongo-Vili culture, such a statue serves as an intermediary between the world of the living and that of the ancestors. It embodies a power capable of biting (nkisi comes from a root meaning “to bite” or “to burn”) to punish wrongdoers or to protect the clan against sorcery.
Expert note: The absence of the mirror or the original contents in the ventral cavity is common on collectible pieces, these elements being sometimes removed before sale to “deactivate” the spiritual charge of the object.
Origin. Democratic Republic of the Congo
Tribe name. Bakongo
Material. Wood
Dimension. 40 cm
Shipment mode. Colissimo within 24-48h open.
This decorative piece is a fascinating work of traditional Kongo art, more precisely attributed to the Vili group (coastal region of the Republic of the Congo, Cabinda, or the DRC).
This figurine belongs to the category of Minkisi (singular: Nkisi). They are not mere decorative objects, but receptacles meant to harbor spiritual forces for protection, healing, or justice.
The ventral receptacle (Bilongo): The most distinctive element is the circular cavity at the abdomen level. Originally, it contained magico-medicinal substances (bilongo), often sealed by a piece of mirror or glass. The mirror allowed the spirit world to “see” intruders or culprits.
The posture: The figure is represented in a crouched or semi-bent position on a circular base, a posture that suggests both tension, vigilance, and ritual readiness.
The Vili style is characterized by a certain naturalism, particularly visible in the treatment of the face:
The gaze: The eyes are often inlaid with glass or porcelain (or painted white), symbolizing clairvoyance and the ability to see in the world of the invisible.
The head and headdress: The skull is elongated, topped with a sculpted headdress that often resembles the mpu bonnet worn by chiefs or notables, marking the high social status of the represented entity.
The arms: The arms are carved in an angular manner, brought forward, which emphasizes the geometry of the chest and the importance of the central receptacle.
Wood: The piece is carved from dense, dark wood.
Additional elements: The presence of fibers or textiles at the base of the belly (the fiber “skirt”) reinforces the ritual and “dressed” appearance of the statue.
Symbolic synthesis
In Kongo-Vili culture, such a statue serves as an intermediary between the world of the living and that of the ancestors. It embodies a power capable of biting (nkisi comes from a root meaning “to bite” or “to burn”) to punish wrongdoers or to protect the clan against sorcery.
Expert note: The absence of the mirror or the original contents in the ventral cavity is common on collectible pieces, these elements being sometimes removed before sale to “deactivate” the spiritual charge of the object.
