RELIQUARY KWELE - Gabon






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RELIQUAIRE KWELE, a 45 cm wooden sculpture from Gabon of the Bakwele people, dating to the late 20th century, in good condition, with no stand.
Description from the seller
Origin. Gabon
Tribe name. Bakwele
Material. Wood
Dimension. 45 cm
Mode of shipment. Colissimo within 24-48h open.
This wooden sculpture is a decorative piece.
The head concentrates the visual codes typical of the Kwélé ethnicity, though reinterpreted here in volume rather than a flat mask:
The heart-shaped face (ekuk): The facial features fit into an inverted heart shape, an emblematic stylistic convention of Kwélé art, which often symbolises forest spirits or clairvoyance against sorcery.
The almond eyes: The eyes are stretched and half-closed, incised with a horizontal slit (often compared to "coffee beans").
Scarifications / Tears: The vertical lines carved under the eyes evoke ritual scarifications or tear marks, reinforcing the mystical or introspective dimension of the character.
The coiffure: It is imposing, sculpted in relief, resembling braids or lobes falling on each side of the face, topped by a crown-like ridge.
An Atypical Structure (The long neck and the base)
While Kwélé art is world-renowned for its flat masks (such as the pipibudzè mask or the bélier bata mask), statues or volume effigies are much rarer.
The long cylindrical neck: It connects the sacred head to the low base. The lighter area shows natural wood wear or the vestige of an old mortise/ligature.
The tripod base: The base consists of a circular platform supported by three sturdy flared feet. This form eerily recalls some African headrests or small ritual stools.
Potential Function of the Object
In light of its structure (a head on a long handle connected to a stable base), this piece could have had two main uses:
A marionette or a dance scepter: In certain ceremonies or initiations of the Kota/Kwélé cultural complex, carved heads mounted on a handle were brandished by initiates or lineage chiefs to interact with the audience or symbolize authority.
Origin. Gabon
Tribe name. Bakwele
Material. Wood
Dimension. 45 cm
Mode of shipment. Colissimo within 24-48h open.
This wooden sculpture is a decorative piece.
The head concentrates the visual codes typical of the Kwélé ethnicity, though reinterpreted here in volume rather than a flat mask:
The heart-shaped face (ekuk): The facial features fit into an inverted heart shape, an emblematic stylistic convention of Kwélé art, which often symbolises forest spirits or clairvoyance against sorcery.
The almond eyes: The eyes are stretched and half-closed, incised with a horizontal slit (often compared to "coffee beans").
Scarifications / Tears: The vertical lines carved under the eyes evoke ritual scarifications or tear marks, reinforcing the mystical or introspective dimension of the character.
The coiffure: It is imposing, sculpted in relief, resembling braids or lobes falling on each side of the face, topped by a crown-like ridge.
An Atypical Structure (The long neck and the base)
While Kwélé art is world-renowned for its flat masks (such as the pipibudzè mask or the bélier bata mask), statues or volume effigies are much rarer.
The long cylindrical neck: It connects the sacred head to the low base. The lighter area shows natural wood wear or the vestige of an old mortise/ligature.
The tripod base: The base consists of a circular platform supported by three sturdy flared feet. This form eerily recalls some African headrests or small ritual stools.
Potential Function of the Object
In light of its structure (a head on a long handle connected to a stable base), this piece could have had two main uses:
A marionette or a dance scepter: In certain ceremonies or initiations of the Kota/Kwélé cultural complex, carved heads mounted on a handle were brandished by initiates or lineage chiefs to interact with the audience or symbolize authority.
