Fetish figure - holo - Congo






Holds a postgraduate degree in African studies and 15 years experience in African art.
€20 | ||
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€1 |
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Description from the seller
Wood, magical charges
Pedestal
Provenance
.J.M. DESSAIVE, Belgium
.F.BELL, Germany
Literature
.The Holo art from the upper Kwango; F.NEYT
This small Mvunzi Holo figure, carved in wood with a deep brown patina, soberly illustrates the pared-down aesthetics of the Holo populations of the Kwango Valley, between the present-day Democratic Republic of the Congo and Angola. The figure, standing in a hieratic pose, has a head slightly oversized with a geometric face, where almond-shaped eyes, a triangular nose, and a discreet mouth compose an expression of calm and contemplation. The arms, drawn back against the torso, frame a subtly indicated chest, while the short and powerful legs confer a sense of stability to the sculpture. The angular volumes, the facets deliberately left visible by the sculptor's tool, and the patina of wear testify to a long ritual handling.
Among the Holo, mvunzi are figures endowed with a protective and commemorative function, associated with the cult of ancestors and with preserving the balance between the world of the living and that of the spirits. Kept within lineages or used in ritual practices, they were invoked to ensure prosperity, fertility, and the protection of the community. Through its formal spareness and the silent strength of its presence, this example fully expresses the plastic qualities that characterize Holo statuary, where the simplicity of lines reinforces the symbolic power of the work.
Seller's Story
Wood, magical charges
Pedestal
Provenance
.J.M. DESSAIVE, Belgium
.F.BELL, Germany
Literature
.The Holo art from the upper Kwango; F.NEYT
This small Mvunzi Holo figure, carved in wood with a deep brown patina, soberly illustrates the pared-down aesthetics of the Holo populations of the Kwango Valley, between the present-day Democratic Republic of the Congo and Angola. The figure, standing in a hieratic pose, has a head slightly oversized with a geometric face, where almond-shaped eyes, a triangular nose, and a discreet mouth compose an expression of calm and contemplation. The arms, drawn back against the torso, frame a subtly indicated chest, while the short and powerful legs confer a sense of stability to the sculpture. The angular volumes, the facets deliberately left visible by the sculptor's tool, and the patina of wear testify to a long ritual handling.
Among the Holo, mvunzi are figures endowed with a protective and commemorative function, associated with the cult of ancestors and with preserving the balance between the world of the living and that of the spirits. Kept within lineages or used in ritual practices, they were invoked to ensure prosperity, fertility, and the protection of the community. Through its formal spareness and the silent strength of its presence, this example fully expresses the plastic qualities that characterize Holo statuary, where the simplicity of lines reinforces the symbolic power of the work.
