Maternity statue - Baule - Côte d'Ivoire

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€ 50
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Julien Gauthier
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Selected by Julien Gauthier

A decade of experience in historical arms, armour, and African art.

Estimate  € 150 - € 200
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€50

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Description from the seller

Ivory Coast
Baoulé
Wood and cord
Height: 550mm
Width: 110mm
Depth: 140mm

This 55 cm tall wooden sculpture is a classic and powerful representation of motherhood, originating from the Baoulé people of Ivory Coast. It features a standing female figure carrying her child, a universal theme but treated here according to the strict aesthetic and spiritual codes of the Akan culture.

Here is the detailed analysis of its origin, stylistic criteria, and ritual uses.

1. Origin and Stylistic Characteristics
Baoulé art is distinguished by the search for harmony, symmetry, and the finesse of detail. This statue brings together the most prestigious markers of this style:

The Maternity Iconography: The woman bears a child clinging to her back. The child tightly embraces the mother’s torso, his small legs gripping her hips with natural ease.

The Somital (Crown) Hairstyle: The mother’s head is crowned with a monumental, tiered headpiece or headdress, ending in a geometric, conical or pointed shape. This elaborated headdress expresses high social status, nobility, and dignity.

The Cheloid Scarifications: The body of the statue is richly adorned with traditional raised scarifications (cheloid scars). Vertical and horizontal series can be seen on the face (around the mouth and on the cheeks), on the chest, as well as a very dense geometric pattern on the protruding abdomen surrounding the navel. Among the Baoulé, these marks are symbols of civilization, ideal beauty, and cultural belonging.

Ritual Elements and Patina: The statue bears a dark, crusty patina in places, evidence of its age and ritual handling. There is also a cord or cordage made of natural fibers tied around the mother’s neck, a feature often linked to devotion practices or protective rituals.

2. Functional and Ritual Use
In Baoulé society, a maternity statue of this size serves major spiritual and therapeutic functions:

A. The Cult of Fertility and Protection
The depiction of a mother carrying her child is the ultimate symbol of the continuity of lineage and life.

These statues were frequently commissioned by women or couples facing infertility issues, or who had suffered the painful loss of young children.
Under the direction of a diviner (wanzan), the statue became the receptacle of protective spirits. The woman cared for it, washed it, anointed it with oil or kaolin, and offered symbolic gifts to promote a pregnancy that comes to term and to protect the newborn from invisible forces or diseases.

B. The Wife of the Beyond (Blolo Bla)
Although the maternity theme is very specific, this sculpture can also represent a particularly honored form of a Blolo Bla (the wife of the spirit world).
If the diviner deemed that the spiritual wife of a man required being represented in the features of a mother who has fulfilled her role in order to appease her jealousy or to rectify a balance in the person’s earthly life, such a statuette would be carved.
The luxurious details (complex scarifications, tall headdress) serve to flatter the spirit so that it grants its blessing (prosperity, health, offspring) to the earthly home.

In summary
This 55 cm Baoulé maternity is a superb example of West African ritual art. Through the balance of its forms and the richness of its bodily motifs, it embodies not only the Akan culture’s aesthetic ideal but also the deep hopes of protection, fertility, and the sacred bond between the world of the living and that of the ancestors.

Items are shipped with insurance and tracking number.
Fast and protected shipping. Parcels are sent from Monday to Saturday.
Delivery between 1 to 3 days in France, 2 to 5 days across Europe.

Seller's Story

Passionate about World Arts and more specifically about African Art, we buy from collectors, former officials, military, health workers, public works staff who have worked in Africa and also in Côte d'Ivoire, from antique dealers and traders who roam across West Africa to find quality objects. It is with pride that we present works that, beyond their power to beautify spaces, invite our collectors to resonate with the richness and depth of human expression through the most authentic art. At Arts Ethniques Gallery, we have the privilege of offering our visitors an exclusive selection of artworks, all unique and original. Each piece presented is the outcome of a demanding artistic approach, driven by a singular vision and mastered craftsmanship, all elements that guarantee authenticity and value. The works we offer are not industrial reproductions. They are individual creations, crafted with sensitivity and precision, each bearing its own story, identity and presence. Originality is the very foundation of our commitment to excellence. Thus, every mask and every statue in our collection is the subject of a rigorous selection, in order to preserve their rarity and singularity. Acquiring a work from Arts Ethniques Gallery means owning a truly unique piece: a creation that embodies both talent, cultural memory and the expressive force of African art. It is also a lasting investment in a work whose artistic and emotional value transcends time. We guarantee that every work leaving our gallery is an authentic piece, without replicas, bearing witness to the creativity, heritage and passion of the African artists who shaped them. We invite you to participate in our gallery’s auctions with confidence. Each presented work is an original, unique and irreplaceable creation, selected with the greatest rigor to guarantee its authenticity and artistic value. Whether you wish to enrich a personal collection or introduce an exceptional artwork into your space, Arts Ethniques Gallery offers a safe, transparent and professional setting to acquire remarkable pieces. Art auctions are a privileged moment to discover rare works, capable of becoming the heart of a collection. Acquiring a work at our sales is not just buying an object: it is investing in a creation whose aesthetic value and cultural reach reinforce over time. The pieces presented by Arts Ethniques Gallery testify not only to the talent and vision of the artists but also possess the ability to transform spaces and enrich the gaze of those who behold them. Participating in our auctions is taking part in a singular experience, where the passion for art meets the rigors of collecting. Bidding on a work from Arts Ethniques Gallery goes beyond a simple transaction: it is a gesture of commitment and appreciation for art in its most authentic form. We invite you to bid with passion and to join us in this adventure dedicated to discovery, transmission and celebration of art. Perhaps your next heart piece is already waiting for you."
Translated by Google Translate

Ivory Coast
Baoulé
Wood and cord
Height: 550mm
Width: 110mm
Depth: 140mm

This 55 cm tall wooden sculpture is a classic and powerful representation of motherhood, originating from the Baoulé people of Ivory Coast. It features a standing female figure carrying her child, a universal theme but treated here according to the strict aesthetic and spiritual codes of the Akan culture.

Here is the detailed analysis of its origin, stylistic criteria, and ritual uses.

1. Origin and Stylistic Characteristics
Baoulé art is distinguished by the search for harmony, symmetry, and the finesse of detail. This statue brings together the most prestigious markers of this style:

The Maternity Iconography: The woman bears a child clinging to her back. The child tightly embraces the mother’s torso, his small legs gripping her hips with natural ease.

The Somital (Crown) Hairstyle: The mother’s head is crowned with a monumental, tiered headpiece or headdress, ending in a geometric, conical or pointed shape. This elaborated headdress expresses high social status, nobility, and dignity.

The Cheloid Scarifications: The body of the statue is richly adorned with traditional raised scarifications (cheloid scars). Vertical and horizontal series can be seen on the face (around the mouth and on the cheeks), on the chest, as well as a very dense geometric pattern on the protruding abdomen surrounding the navel. Among the Baoulé, these marks are symbols of civilization, ideal beauty, and cultural belonging.

Ritual Elements and Patina: The statue bears a dark, crusty patina in places, evidence of its age and ritual handling. There is also a cord or cordage made of natural fibers tied around the mother’s neck, a feature often linked to devotion practices or protective rituals.

2. Functional and Ritual Use
In Baoulé society, a maternity statue of this size serves major spiritual and therapeutic functions:

A. The Cult of Fertility and Protection
The depiction of a mother carrying her child is the ultimate symbol of the continuity of lineage and life.

These statues were frequently commissioned by women or couples facing infertility issues, or who had suffered the painful loss of young children.
Under the direction of a diviner (wanzan), the statue became the receptacle of protective spirits. The woman cared for it, washed it, anointed it with oil or kaolin, and offered symbolic gifts to promote a pregnancy that comes to term and to protect the newborn from invisible forces or diseases.

B. The Wife of the Beyond (Blolo Bla)
Although the maternity theme is very specific, this sculpture can also represent a particularly honored form of a Blolo Bla (the wife of the spirit world).
If the diviner deemed that the spiritual wife of a man required being represented in the features of a mother who has fulfilled her role in order to appease her jealousy or to rectify a balance in the person’s earthly life, such a statuette would be carved.
The luxurious details (complex scarifications, tall headdress) serve to flatter the spirit so that it grants its blessing (prosperity, health, offspring) to the earthly home.

In summary
This 55 cm Baoulé maternity is a superb example of West African ritual art. Through the balance of its forms and the richness of its bodily motifs, it embodies not only the Akan culture’s aesthetic ideal but also the deep hopes of protection, fertility, and the sacred bond between the world of the living and that of the ancestors.

Items are shipped with insurance and tracking number.
Fast and protected shipping. Parcels are sent from Monday to Saturday.
Delivery between 1 to 3 days in France, 2 to 5 days across Europe.

Seller's Story

Passionate about World Arts and more specifically about African Art, we buy from collectors, former officials, military, health workers, public works staff who have worked in Africa and also in Côte d'Ivoire, from antique dealers and traders who roam across West Africa to find quality objects. It is with pride that we present works that, beyond their power to beautify spaces, invite our collectors to resonate with the richness and depth of human expression through the most authentic art. At Arts Ethniques Gallery, we have the privilege of offering our visitors an exclusive selection of artworks, all unique and original. Each piece presented is the outcome of a demanding artistic approach, driven by a singular vision and mastered craftsmanship, all elements that guarantee authenticity and value. The works we offer are not industrial reproductions. They are individual creations, crafted with sensitivity and precision, each bearing its own story, identity and presence. Originality is the very foundation of our commitment to excellence. Thus, every mask and every statue in our collection is the subject of a rigorous selection, in order to preserve their rarity and singularity. Acquiring a work from Arts Ethniques Gallery means owning a truly unique piece: a creation that embodies both talent, cultural memory and the expressive force of African art. It is also a lasting investment in a work whose artistic and emotional value transcends time. We guarantee that every work leaving our gallery is an authentic piece, without replicas, bearing witness to the creativity, heritage and passion of the African artists who shaped them. We invite you to participate in our gallery’s auctions with confidence. Each presented work is an original, unique and irreplaceable creation, selected with the greatest rigor to guarantee its authenticity and artistic value. Whether you wish to enrich a personal collection or introduce an exceptional artwork into your space, Arts Ethniques Gallery offers a safe, transparent and professional setting to acquire remarkable pieces. Art auctions are a privileged moment to discover rare works, capable of becoming the heart of a collection. Acquiring a work at our sales is not just buying an object: it is investing in a creation whose aesthetic value and cultural reach reinforce over time. The pieces presented by Arts Ethniques Gallery testify not only to the talent and vision of the artists but also possess the ability to transform spaces and enrich the gaze of those who behold them. Participating in our auctions is taking part in a singular experience, where the passion for art meets the rigors of collecting. Bidding on a work from Arts Ethniques Gallery goes beyond a simple transaction: it is a gesture of commitment and appreciation for art in its most authentic form. We invite you to bid with passion and to join us in this adventure dedicated to discovery, transmission and celebration of art. Perhaps your next heart piece is already waiting for you."
Translated by Google Translate

Details

Indigenous object name
Maternity statue
Ethnic group/ culture
Baule
Country of Origin
Côte d'Ivoire
Material
Cord / Wood
Sold with stand
No
Condition
Good condition
FranceVerified
1522
Objects sold
100%
protop

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