Emile Bechard (XIX) - Sakkas, porteurs d'eau






Specialist in travel literature and pre-1600 rare prints with 28 years experience.
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Title of artwork: Sakkas, porteurs d'eau; a French documentary photography print by Emile Bechard, produced in 1870 as a 19 × 26 cm albumin print, signed, in very good to excellent condition.
Description from the seller
Circa 1880, 19x26 cm.
"Sakkas, water carriers", a very beautiful era albumen print, large format, in very good condition with preserved contrast, grayscale nuances, and levels of detail from TB to TTB by Emile Bechard (rare for sale).
Mounted on a thin cardboard backing, signed and captioned at the bottom of the print, in the negative.
Rare, unposed subject, in situ.
Worth framing.
Will be shipped with its neutral-pH sleeve (ideal for a collection kept in good condition).
Emile Béchard was a French photographer active in Cairo from the late 1860s to the 1880s, specializing in views of Egypt and Oriental types.
He photographed both pharaonic and Islamic monuments as well as street scenes, portraits, and local figures aimed at the Orientalist taste and the European tourist market, and thus counts among the photographers who helped fix, for the 19th-century Western public, an image of Egypt that was both documentary and dreamed.
Seller's Story
Circa 1880, 19x26 cm.
"Sakkas, water carriers", a very beautiful era albumen print, large format, in very good condition with preserved contrast, grayscale nuances, and levels of detail from TB to TTB by Emile Bechard (rare for sale).
Mounted on a thin cardboard backing, signed and captioned at the bottom of the print, in the negative.
Rare, unposed subject, in situ.
Worth framing.
Will be shipped with its neutral-pH sleeve (ideal for a collection kept in good condition).
Emile Béchard was a French photographer active in Cairo from the late 1860s to the 1880s, specializing in views of Egypt and Oriental types.
He photographed both pharaonic and Islamic monuments as well as street scenes, portraits, and local figures aimed at the Orientalist taste and the European tourist market, and thus counts among the photographers who helped fix, for the 19th-century Western public, an image of Egypt that was both documentary and dreamed.
