Statue "bateba" - Lobi - Burkina Faso






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Description from the seller
Burkina Faso
Lobi
Wood
Dimensions:
Height: 290 mm
Width: 80 mm
Depth: 75 mm
I. Origin and Stylistic Characteristics
This wooden statuette, 29 cm tall, heavily eroded and patinated, presents the stylistic and ritual characteristics of the artistic productions of the Lobi people, established mainly in Burkina Faso, as well as at the borders of Ivory Coast and Ghana.
This sculpture is a representative example of Brutalist and expressionist art of the Lobi. Several visible elements confirm this origin:
• Overall morphology: A voluminous, ovoid head, a columnar torso with a protruding navel of pointed shape, and short, massive lower limbs ending in broad feet carved in blocks.
• Facial treatment: Minimalist and vigorous features with eyes and lips sculpted in slight relief, as well as an application of dark pigment or black resin covering the entire front face of the skull.
• Asymmetric arm posture: The left arm extends downward and backward to rest directly on the hip, while the right arm is broken at the shoulder. Among the Lobi, atypical postures (raised arms, arms behind the back, asymmetry) are not incidental: they respond to specific ritual demands.
• Condition of the wood: The dried, ravined surface marked by deep longitudinal cracks testifies to great antiquity and prolonged exposure to the elements as well as to sacrificial libations.
II. Function and Ritual Use
In Lobi culture, this statuette is called a Bateba. Far from being a simple aesthetic object, the bateba is considered a living and sacred being, a direct intermediary between the human world and the forest spirits called the Thila (singular: Thil).
• The diviner’s injunction: The creation of such a statuette is always ordered by a diviner (thildar). It is he who dictates the particular posture and the object's role to respond to a specific problem faced by a family (illness, poor harvest, need for protection).
• Protection of the domestic altar: Once carved, it is placed on the family altar of the sanctuary (thilduo). Its main mission is to materialize the presence of the spirits in order to repel sorcery, diseases, and malevolent intentions.
• A spiritual shield: The unique position of the arms (here the folded arm placed behind the back) often symbolizes vigilance, counter-attack, or the action of “blocking” passage to negative influences. Bateba are designed to actively intercept evil on behalf of their owners.
Fast and secure shipping. Packages are sent with a tracking number. Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide.
We speak English.
Mask African art African mask art Arte de máscaras africanas arte delle maschere africane
statue african art African statue art Arte de estatuas africanas arte delle statue africane African mask art
Máscara de estatua de galería de arte africano
Seller's Story
Burkina Faso
Lobi
Wood
Dimensions:
Height: 290 mm
Width: 80 mm
Depth: 75 mm
I. Origin and Stylistic Characteristics
This wooden statuette, 29 cm tall, heavily eroded and patinated, presents the stylistic and ritual characteristics of the artistic productions of the Lobi people, established mainly in Burkina Faso, as well as at the borders of Ivory Coast and Ghana.
This sculpture is a representative example of Brutalist and expressionist art of the Lobi. Several visible elements confirm this origin:
• Overall morphology: A voluminous, ovoid head, a columnar torso with a protruding navel of pointed shape, and short, massive lower limbs ending in broad feet carved in blocks.
• Facial treatment: Minimalist and vigorous features with eyes and lips sculpted in slight relief, as well as an application of dark pigment or black resin covering the entire front face of the skull.
• Asymmetric arm posture: The left arm extends downward and backward to rest directly on the hip, while the right arm is broken at the shoulder. Among the Lobi, atypical postures (raised arms, arms behind the back, asymmetry) are not incidental: they respond to specific ritual demands.
• Condition of the wood: The dried, ravined surface marked by deep longitudinal cracks testifies to great antiquity and prolonged exposure to the elements as well as to sacrificial libations.
II. Function and Ritual Use
In Lobi culture, this statuette is called a Bateba. Far from being a simple aesthetic object, the bateba is considered a living and sacred being, a direct intermediary between the human world and the forest spirits called the Thila (singular: Thil).
• The diviner’s injunction: The creation of such a statuette is always ordered by a diviner (thildar). It is he who dictates the particular posture and the object's role to respond to a specific problem faced by a family (illness, poor harvest, need for protection).
• Protection of the domestic altar: Once carved, it is placed on the family altar of the sanctuary (thilduo). Its main mission is to materialize the presence of the spirits in order to repel sorcery, diseases, and malevolent intentions.
• A spiritual shield: The unique position of the arms (here the folded arm placed behind the back) often symbolizes vigilance, counter-attack, or the action of “blocking” passage to negative influences. Bateba are designed to actively intercept evil on behalf of their owners.
Fast and secure shipping. Packages are sent with a tracking number. Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide.
We speak English.
Mask African art African mask art Arte de máscaras africanas arte delle maschere africane
statue african art African statue art Arte de estatuas africanas arte delle statue africane African mask art
Máscara de estatua de galería de arte africano
