Deangle Dance Mask - Dan - Côte d'Ivoire






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Masque de danse Deangle, a bois mask from the Dan people of Côte d'Ivoire, measuring 215 mm high, 135 mm wide and 65 mm deep, in good condition, sold without a stand.
Description from the seller
Ivory Coast
Dan
Wood
Height: 215 mm
Width: 135 mm
Depth: 65 mm
This mask is a highly classical and particularly expressive work from the Dan people, in Ivory Coast.
It is more specifically linked to the Deangle (or Tankagle) mask category, characterized by fine features, great softness, and often described by specialists as "feminine masks" because of their aesthetic ideal of serenity, though they are exclusively worn by men.
1. The symbolism of the mask
Among the Dan, the plastic beauty of a mask directly reflects its goodness and spiritual benevolence. The morphological elements of this piece possess highly codified symbolic codes:
The white kaolin around the eyes: This is one of the most striking aspects of the piece. This line or band of white kaolin emphasized around the eye slits symbolizes the link with the invisible world, purity, and clairvoyance. It indicates that the spirit of the mask acts in light and with benevolence.
The narrowed or slit eyes: Unlike war or justice masks (with round and tubular orbits projecting anger), the horizontal, almost closed eyes express reserve, interiority, peace, wisdom, and docility.
The full, slightly open lips: The mouth is of substantial flesh, protruding slightly forward. The lips are sculpted very realistically and are drawn to sing, murmur blessings, or emit melodic sounds during rituals.
The braided headpiece around the edge: The perimeter of the wooden face is adorned with a braid of plant fibers or rough fabric, which materializes hair implantation and served as an anchor to the heavy textile and raffia costume that concealed the dancer’s body.
2. Its ritual and social use
The Deangle mask is fundamentally a mediating, protective, and festive entity. Its interventions within the community revolved around three major roles:
The link with initiation camps
Historically, this was its primary function. When the village boys isolated themselves in the bush for their initiation period (the passage to adulthood), this mask served as a sacred link between them and the rest of the community:
Women of the village, not allowed to enter the camp, would bring food to the mask bearer.
The mask would then transport these provisions to the young initiates in the bush. It embodied a reassuring, almost maternal figure, watching over their well-being during this difficult transition.
Public entertainment and blessing
Outside of initiation periods, the Deangle (which becomes Tankagle when dedicated more to public play) participated in village festivities. It is a mask that loves interacting with the crowd:
It moves gracefully, accompanied by musicians (often drum players).
It sings, recites proverbs, mimics scenes, and distributes blessings to villagers in exchange for small gifts or food.
The back of this piece offers valuable technological clues. A superb patina of use is visible, heavily marked at the center and on the edges, due to repeated contact with the dancer’s forehead and cheeks. The peripheral orifices, regularly pierced, confirm the solid mounting method of the mask to ensure the dancer’s perfect stability during the smooth, rhythmic movements of the choreography.
The parcels are shipped Monday to Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide with Colissimo international.
We speak english
Mask african art African mask art arte de máscaras africanas arte delle maschere africane
African statue art Arte de estatuas africanas arte delle statue africane African mask art
Máscara de estatua de galería de arte africano
Seller's Story
Ivory Coast
Dan
Wood
Height: 215 mm
Width: 135 mm
Depth: 65 mm
This mask is a highly classical and particularly expressive work from the Dan people, in Ivory Coast.
It is more specifically linked to the Deangle (or Tankagle) mask category, characterized by fine features, great softness, and often described by specialists as "feminine masks" because of their aesthetic ideal of serenity, though they are exclusively worn by men.
1. The symbolism of the mask
Among the Dan, the plastic beauty of a mask directly reflects its goodness and spiritual benevolence. The morphological elements of this piece possess highly codified symbolic codes:
The white kaolin around the eyes: This is one of the most striking aspects of the piece. This line or band of white kaolin emphasized around the eye slits symbolizes the link with the invisible world, purity, and clairvoyance. It indicates that the spirit of the mask acts in light and with benevolence.
The narrowed or slit eyes: Unlike war or justice masks (with round and tubular orbits projecting anger), the horizontal, almost closed eyes express reserve, interiority, peace, wisdom, and docility.
The full, slightly open lips: The mouth is of substantial flesh, protruding slightly forward. The lips are sculpted very realistically and are drawn to sing, murmur blessings, or emit melodic sounds during rituals.
The braided headpiece around the edge: The perimeter of the wooden face is adorned with a braid of plant fibers or rough fabric, which materializes hair implantation and served as an anchor to the heavy textile and raffia costume that concealed the dancer’s body.
2. Its ritual and social use
The Deangle mask is fundamentally a mediating, protective, and festive entity. Its interventions within the community revolved around three major roles:
The link with initiation camps
Historically, this was its primary function. When the village boys isolated themselves in the bush for their initiation period (the passage to adulthood), this mask served as a sacred link between them and the rest of the community:
Women of the village, not allowed to enter the camp, would bring food to the mask bearer.
The mask would then transport these provisions to the young initiates in the bush. It embodied a reassuring, almost maternal figure, watching over their well-being during this difficult transition.
Public entertainment and blessing
Outside of initiation periods, the Deangle (which becomes Tankagle when dedicated more to public play) participated in village festivities. It is a mask that loves interacting with the crowd:
It moves gracefully, accompanied by musicians (often drum players).
It sings, recites proverbs, mimics scenes, and distributes blessings to villagers in exchange for small gifts or food.
The back of this piece offers valuable technological clues. A superb patina of use is visible, heavily marked at the center and on the edges, due to repeated contact with the dancer’s forehead and cheeks. The peripheral orifices, regularly pierced, confirm the solid mounting method of the mask to ensure the dancer’s perfect stability during the smooth, rhythmic movements of the choreography.
The parcels are shipped Monday to Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide with Colissimo international.
We speak english
Mask african art African mask art arte de máscaras africanas arte delle maschere africane
African statue art Arte de estatuas africanas arte delle statue africane African mask art
Máscara de estatua de galería de arte africano
