Belt mask - Edo - Nigeria






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Masque de ceinture, an Edo bronze belt mask from the Kingdom of Benin, Nigeria, dating to the late 20th century, in good condition and sold with a stand.
Description from the seller
Nigeria
Edo
Ancient African bronze head mask
Height :
Width :
Depth :
Weight :
This head or face-mask sits squarely within the pure artistic tradition of the Benin Kingdom (the Edo people, in the southwest region of present-day Nigeria). Its size precisely matches the scale of portable masks or belt pendants of this culture.
1. Stylistic Characteristics and Court Adornments
The coral royal headdress: The top of the head is crowned with a very detailed geometric mesh imitating the assembly of red coral beads. The protruding cones and the rigid side braids that frame the face represent the exclusive adornments of the royal family and high court dignitaries of the Oba (the king).
Ritual scarifications: Above each eye, there are relief vertical marks (usually three or four). These frontal scarifications, associated with large, open eyes with rimmed eyelids, were the mark of nobility and Edo identity.
The neck frill: The base of the face widens into a ribbed collar that represents the successive ranks of heavy coral necklaces that high-ranking individuals piled up to the chin during official ceremonies.
The concave structure: The piece is hollow and open at the rear, cast using the lost-wax technique. It features loops or small fixation loops along the rim.
2. Usage and Ritual Role: The Hip Emblem (Uhunmwu-Ekpen)
In the highly hierarchical protocol of the Benin Kingdom, a bronze mask of this size had precise functions:
A belt or hip mask: Due to its intermediate size and its hollow rear with attachments, this object was worn at the waist, fixed at the hip or on the chest by the Oba himself or by war chiefs during major state parades (such as the ritual Igue festivals).
A spiritual and political shield: When worn on ceremonial dress, this indestructible bronze face reminded everyone of the wearer’s authority and divine legitimacy. It also served as a protective amulet to ward off sorcerous forces or enemies of the crown.
Commemorative evocations: Although some accounts view it as a 'queen’s head' or reference 'Ife,' these idealized visages broadly celebrated the court’s ancestors, the Iyoba (Queen Mother) or prestigious chiefs, bridging the world of the living and the spiritual authority of the royal dead.
Fast and secure shipping. Packages are sent with a tracking number. Delivery in France in 1 to 3 days with Chronopost, 2 to 5 days across the European Union with Chronopost International. Delivery with Colissimo International to the rest of Europe and worldwide.
We speak english.
mask african art Afrikaanse Maskenkunst arte de máscaras africanas arte delle maschere africane Afrikanische Maskenkunst
Seller's Story
Nigeria
Edo
Ancient African bronze head mask
Height :
Width :
Depth :
Weight :
This head or face-mask sits squarely within the pure artistic tradition of the Benin Kingdom (the Edo people, in the southwest region of present-day Nigeria). Its size precisely matches the scale of portable masks or belt pendants of this culture.
1. Stylistic Characteristics and Court Adornments
The coral royal headdress: The top of the head is crowned with a very detailed geometric mesh imitating the assembly of red coral beads. The protruding cones and the rigid side braids that frame the face represent the exclusive adornments of the royal family and high court dignitaries of the Oba (the king).
Ritual scarifications: Above each eye, there are relief vertical marks (usually three or four). These frontal scarifications, associated with large, open eyes with rimmed eyelids, were the mark of nobility and Edo identity.
The neck frill: The base of the face widens into a ribbed collar that represents the successive ranks of heavy coral necklaces that high-ranking individuals piled up to the chin during official ceremonies.
The concave structure: The piece is hollow and open at the rear, cast using the lost-wax technique. It features loops or small fixation loops along the rim.
2. Usage and Ritual Role: The Hip Emblem (Uhunmwu-Ekpen)
In the highly hierarchical protocol of the Benin Kingdom, a bronze mask of this size had precise functions:
A belt or hip mask: Due to its intermediate size and its hollow rear with attachments, this object was worn at the waist, fixed at the hip or on the chest by the Oba himself or by war chiefs during major state parades (such as the ritual Igue festivals).
A spiritual and political shield: When worn on ceremonial dress, this indestructible bronze face reminded everyone of the wearer’s authority and divine legitimacy. It also served as a protective amulet to ward off sorcerous forces or enemies of the crown.
Commemorative evocations: Although some accounts view it as a 'queen’s head' or reference 'Ife,' these idealized visages broadly celebrated the court’s ancestors, the Iyoba (Queen Mother) or prestigious chiefs, bridging the world of the living and the spiritual authority of the royal dead.
Fast and secure shipping. Packages are sent with a tracking number. Delivery in France in 1 to 3 days with Chronopost, 2 to 5 days across the European Union with Chronopost International. Delivery with Colissimo International to the rest of Europe and worldwide.
We speak english.
mask african art Afrikaanse Maskenkunst arte de máscaras africanas arte delle maschere africane Afrikanische Maskenkunst
