Hyena mask - Dogon - Mali






Holds a postgraduate degree in African studies and 15 years experience in African art.
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Dogon hyena mask carved in wood from Mali, an original object attributed to the Dogon culture, with dimensions 420 mm high, 210 mm wide and 170 mm deep and mounted on a stand to a total height of 980 mm.
Description from the seller
Mali
Dogon
Wood
Height: 420 mm
Width: 210 mm
Depth: 170 mm
Height on base: 980 mm
This zoomorphic mask comes from the Dogon people. The Dogon form a major cultural and spiritual group primarily established along the Bandiagara cliffs in central Mali (West Africa).
Dogon art is characterized by cubist, angular, and highly geometric forms that profoundly fascinated Western artists in the early 20th century.
1. Stylistic Characteristics and Aesthetics
This mask embodies in a very pared-down way the features of a wild animal, here the hyena (Gonu):
• The geometry of the facial block: The lower part of the mask forms an oblong, angular, and straight snout, extending downward without realistic embellishment. The eyes are depicted by broad triangular openings on either side of a central nasal ridge shaped like a arrow.
• The upper cap and texture: The upper part envelops the dancer’s head in the form of a rounded, smooth helmet. The transition between this domed forehead and the eye area is marked by a wide relief band etched with horizontal lines and chevron motifs, evoking the texture of fur or traditional scarifications.
• The ears: Small short, rounded ears are carved in relief on the sides of the helmet, echoing the spotted hyena’s morphology.
• The back and structure: At the rear, the piece is completely hollowed out in a crude manner to fit the wearer’s head. The eye cutouts pass entirely through the wood, giving the dancer a wide field of vision. Subtle perforations around the edges would have been used to attach a costume of dyed raffia fibers.
• The patina: The wood bears a matte, dry, earthy patina typical of objects kept in caves or cliff sanctuaries.
2. Use and Ritual Function: The Awa Society
Among the Dogon, animal masks belong to the male secret society of the Awa, which governs religious order and masked rituals:
• The Dama ceremonies: This mask primarily appears during the Dama. This major collective mourning ritual, sometimes held several years after the death of notable figures, aims to drive wandering souls of the dead (nyama) out of the village and to accompany them to the ancestors’ realm to restore order in the world.
• The symbolism of the hyena (Gonu): In Dogon cosmogony, each animal represented by a mask plays a precise role in the grand narrative of creation and social organization. The hyena is seen as a solitary, nocturnal animal, intelligent but often associated with cunning, gluttony, and the wild forces of the untamed bush.
• The portrayal of the bush: During dances on the village square or on the rooftops of houses, the bearers of the hyena mask perform a nervous, jerky choreography, mimicking the animal’s behavior to remind the living of the necessary balance between the village’s civilized world and the wild natural world.
The objects are shipped with insurance and a tracking number.
Delivery in France via Chronopost between 1 and 3 days and between 2 and 5 days across Europe. Delivery outside the EU and worldwide via Colissimo International.
We speak english
Seller's Story
Mali
Dogon
Wood
Height: 420 mm
Width: 210 mm
Depth: 170 mm
Height on base: 980 mm
This zoomorphic mask comes from the Dogon people. The Dogon form a major cultural and spiritual group primarily established along the Bandiagara cliffs in central Mali (West Africa).
Dogon art is characterized by cubist, angular, and highly geometric forms that profoundly fascinated Western artists in the early 20th century.
1. Stylistic Characteristics and Aesthetics
This mask embodies in a very pared-down way the features of a wild animal, here the hyena (Gonu):
• The geometry of the facial block: The lower part of the mask forms an oblong, angular, and straight snout, extending downward without realistic embellishment. The eyes are depicted by broad triangular openings on either side of a central nasal ridge shaped like a arrow.
• The upper cap and texture: The upper part envelops the dancer’s head in the form of a rounded, smooth helmet. The transition between this domed forehead and the eye area is marked by a wide relief band etched with horizontal lines and chevron motifs, evoking the texture of fur or traditional scarifications.
• The ears: Small short, rounded ears are carved in relief on the sides of the helmet, echoing the spotted hyena’s morphology.
• The back and structure: At the rear, the piece is completely hollowed out in a crude manner to fit the wearer’s head. The eye cutouts pass entirely through the wood, giving the dancer a wide field of vision. Subtle perforations around the edges would have been used to attach a costume of dyed raffia fibers.
• The patina: The wood bears a matte, dry, earthy patina typical of objects kept in caves or cliff sanctuaries.
2. Use and Ritual Function: The Awa Society
Among the Dogon, animal masks belong to the male secret society of the Awa, which governs religious order and masked rituals:
• The Dama ceremonies: This mask primarily appears during the Dama. This major collective mourning ritual, sometimes held several years after the death of notable figures, aims to drive wandering souls of the dead (nyama) out of the village and to accompany them to the ancestors’ realm to restore order in the world.
• The symbolism of the hyena (Gonu): In Dogon cosmogony, each animal represented by a mask plays a precise role in the grand narrative of creation and social organization. The hyena is seen as a solitary, nocturnal animal, intelligent but often associated with cunning, gluttony, and the wild forces of the untamed bush.
• The portrayal of the bush: During dances on the village square or on the rooftops of houses, the bearers of the hyena mask perform a nervous, jerky choreography, mimicking the animal’s behavior to remind the living of the necessary balance between the village’s civilized world and the wild natural world.
The objects are shipped with insurance and a tracking number.
Delivery in France via Chronopost between 1 and 3 days and between 2 and 5 days across Europe. Delivery outside the EU and worldwide via Colissimo International.
We speak english
