Luigi Ghirri - Colazione sull' Erba - 2019





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Description from the seller
Luigi Ghirri: Colazione sull’erba
Luigi Ghirri’s Colazione sull’erba is a quietly extraordinary photobook that brings together one of the defining qualities of the Italian photographer’s work: his ability to transform ordinary landscapes and everyday scenes into poetic reflections on how we see and remember the world.
Originally conceived in the 1970s and published in a new edition by MACK, Colazione sull’erba revisits Ghirri’s fascination with the relationship between reality, representation and imagination. The title, which translates as “Luncheon on the Grass,” immediately evokes Manet’s famous painting, but Ghirri approaches the idea from a distinctly photographic perspective. His images are not concerned with spectacular landscapes; instead, they explore the subtle visual coincidences that appear in everyday life.
Ghirri photographs gardens, parks, façades, signs, sculptures, painted surfaces and fragments of the landscape, often allowing different levels of representation to coexist within the same image. A real landscape can contain a photograph of another landscape; a sculpture can resemble a person; a painted sky can appear alongside the real sky. These visual correspondences create a constant uncertainty between what is real and what is constructed.
This is one of the great pleasures of Ghirri’s photography. His images are deceptively simple, but they invite prolonged contemplation. He was deeply interested in maps, postcards, architecture, painting and the ways in which images shape our perception of the world. In Colazione sull’erba, these concerns become particularly intimate. The landscape is not presented as something monumental, but as a collection of signs, memories and visual fragments.
Ghirri’s restrained use of color is equally important. Soft tones, delicate contrasts and carefully balanced compositions give the photographs a calm, almost meditative quality. Nothing appears accidental, yet the images retain a sense of spontaneity and discovery. Ghirri seems less interested in capturing a decisive moment than in recognising a quiet visual harmony that already exists.
The book also reveals his extraordinary understanding of the photobook as a form of visual sequencing. Individual photographs acquire new meanings through their relationship with the images around them, creating rhythms and echoes that encourage the reader to move slowly through the pages.
Colazione sull’erba is therefore much more than a collection of photographs of landscapes and everyday life. It is a meditation on photography itself: on the distance between reality and its representation, and on the extraordinary ability of images to transform the familiar into something mysterious.
The MACK edition provides an opportunity to rediscover this important body of work by one of Italy’s most influential photographers. Elegant, subtle and deeply poetic, Colazione sull’erba demonstrates why Ghirri remains such a fundamental figure in the history of contemporary photography and the Photobook.
Seller's Story
Luigi Ghirri: Colazione sull’erba
Luigi Ghirri’s Colazione sull’erba is a quietly extraordinary photobook that brings together one of the defining qualities of the Italian photographer’s work: his ability to transform ordinary landscapes and everyday scenes into poetic reflections on how we see and remember the world.
Originally conceived in the 1970s and published in a new edition by MACK, Colazione sull’erba revisits Ghirri’s fascination with the relationship between reality, representation and imagination. The title, which translates as “Luncheon on the Grass,” immediately evokes Manet’s famous painting, but Ghirri approaches the idea from a distinctly photographic perspective. His images are not concerned with spectacular landscapes; instead, they explore the subtle visual coincidences that appear in everyday life.
Ghirri photographs gardens, parks, façades, signs, sculptures, painted surfaces and fragments of the landscape, often allowing different levels of representation to coexist within the same image. A real landscape can contain a photograph of another landscape; a sculpture can resemble a person; a painted sky can appear alongside the real sky. These visual correspondences create a constant uncertainty between what is real and what is constructed.
This is one of the great pleasures of Ghirri’s photography. His images are deceptively simple, but they invite prolonged contemplation. He was deeply interested in maps, postcards, architecture, painting and the ways in which images shape our perception of the world. In Colazione sull’erba, these concerns become particularly intimate. The landscape is not presented as something monumental, but as a collection of signs, memories and visual fragments.
Ghirri’s restrained use of color is equally important. Soft tones, delicate contrasts and carefully balanced compositions give the photographs a calm, almost meditative quality. Nothing appears accidental, yet the images retain a sense of spontaneity and discovery. Ghirri seems less interested in capturing a decisive moment than in recognising a quiet visual harmony that already exists.
The book also reveals his extraordinary understanding of the photobook as a form of visual sequencing. Individual photographs acquire new meanings through their relationship with the images around them, creating rhythms and echoes that encourage the reader to move slowly through the pages.
Colazione sull’erba is therefore much more than a collection of photographs of landscapes and everyday life. It is a meditation on photography itself: on the distance between reality and its representation, and on the extraordinary ability of images to transform the familiar into something mysterious.
The MACK edition provides an opportunity to rediscover this important body of work by one of Italy’s most influential photographers. Elegant, subtle and deeply poetic, Colazione sull’erba demonstrates why Ghirri remains such a fundamental figure in the history of contemporary photography and the Photobook.

