Monstrance - .800 silver - 1850-1900 - Neo-Gothic ostensorium - 53 cm






Has 20 years of experience trading curios, including 15 years with a leading French dealer.
€4,200 | ||
|---|---|---|
€4,000 | ||
€3,400 | ||
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Description from the seller
Great Neo-Baroque Sun Disk Ostensoir in solid silver and gilded bronze - silversmith Delheid – Certified Historical Provenance (Belgium, Mid-19th Century)
Magnificent and imposing solid-silver sun-disk ostensorium, repoussé and gilded bronze, chased and openwork, fitting into the grand stylistic tradition of Mosan Baroque.
Description of the Work and Liturgical Iconography
The radiant glory in vermeil welcomes at its center a circular lunette, surrounded by a ruffled collar of rhinestones imitating diamonds to magnify the consecrated Host. Four large angels and adorant cherubs, sculpted in the round, unfold in dynamic poses of great expressive finesse. At the base of the composition, the presence of the mystic Pelican feeding its young offers a powerful Eucharistic symbolism linked to Christ’s sacrifice.
The ensemble is crowned by a spectacular closed royal crown, richly openwork and topped with a cruciform globe. Bundles of metal wheat sheaves extend along the flanks of the glory.
The piece rests on a pear-shaped knotted fluted shaft and a moving circular base, adorned with waves, rocaille cartouches and acanthus leaves.
Punctuation Analysis and Certifications (Visuals provided)
The object shows impeccable traceability and authenticity thanks to two official guarantee marks clearly identified:
1. State Guarantee Mark: Representing two profile heads touching, surmounted by the number 2. This is the official mark of the Kingdom of Belgium used between August 18, 1831 and July 1, 1868 to certify solid-silver works of 2nd title (800/1000).
2. Master Silversmith Mark: Rectangular cartouche with beveled edges bearing the initials “P.D”, paired on the left with his workshop mark (heraldic motif including a stylized anchor). This prestigious signature corresponds to the works of Michel-Pierre Delheid, founder of the renowned Brussels silversmithing dynasty Delheid Frères.
Provenance and Historical Interest The outer edge of the ostensorium’s base bears a finely engraved cursive inscription:
“Donated by Mr. G. Lady Gotte to the Chapel of Hallembaye on June 15, 1873”
This ex-voto note perfectly documents the object’s history. It is a patrimonial donation made at the very beginning of the 20th century (circa 1909) by Madame Widow Gotte, a prominent landowner in the Haccourt-Oupeye region (Lower Meuse, Liège area), for the benefit of the Saint-Nicholas Chapel of Hallembaye (a remarkable 16th-century building).
The object thus remained in the chapel’s treasury before joining the art market.
Region / School: Belgium (Brussels / Liège)
Period: Mid-19th Century (King Leopold I era, Circa 1831-1868)
Metal: Solid silver (2nd title, 800/1000) and vermeil elements and gilded bronze
Master Silversmith: Michel-Pierre DELHEID (Delheid Frères, Brussels)
Excellent condition, superb ancient patina, carving of great freshness
Gross weight: 1.778 kg
A exceptionnel piece for a collector of Christian art or Belgian 19th-century goldsmithing, combining the technical virtuosity of the Delheid house with a perfectly clear local history.
The photos are an integral part of the object’s description and complement its presentation. Please examine them carefully before any commitment.
The object will be carefully packed and shipped with a tracking number to ensure a fast and secure delivery.
Happy bidding
Seller's Story
Great Neo-Baroque Sun Disk Ostensoir in solid silver and gilded bronze - silversmith Delheid – Certified Historical Provenance (Belgium, Mid-19th Century)
Magnificent and imposing solid-silver sun-disk ostensorium, repoussé and gilded bronze, chased and openwork, fitting into the grand stylistic tradition of Mosan Baroque.
Description of the Work and Liturgical Iconography
The radiant glory in vermeil welcomes at its center a circular lunette, surrounded by a ruffled collar of rhinestones imitating diamonds to magnify the consecrated Host. Four large angels and adorant cherubs, sculpted in the round, unfold in dynamic poses of great expressive finesse. At the base of the composition, the presence of the mystic Pelican feeding its young offers a powerful Eucharistic symbolism linked to Christ’s sacrifice.
The ensemble is crowned by a spectacular closed royal crown, richly openwork and topped with a cruciform globe. Bundles of metal wheat sheaves extend along the flanks of the glory.
The piece rests on a pear-shaped knotted fluted shaft and a moving circular base, adorned with waves, rocaille cartouches and acanthus leaves.
Punctuation Analysis and Certifications (Visuals provided)
The object shows impeccable traceability and authenticity thanks to two official guarantee marks clearly identified:
1. State Guarantee Mark: Representing two profile heads touching, surmounted by the number 2. This is the official mark of the Kingdom of Belgium used between August 18, 1831 and July 1, 1868 to certify solid-silver works of 2nd title (800/1000).
2. Master Silversmith Mark: Rectangular cartouche with beveled edges bearing the initials “P.D”, paired on the left with his workshop mark (heraldic motif including a stylized anchor). This prestigious signature corresponds to the works of Michel-Pierre Delheid, founder of the renowned Brussels silversmithing dynasty Delheid Frères.
Provenance and Historical Interest The outer edge of the ostensorium’s base bears a finely engraved cursive inscription:
“Donated by Mr. G. Lady Gotte to the Chapel of Hallembaye on June 15, 1873”
This ex-voto note perfectly documents the object’s history. It is a patrimonial donation made at the very beginning of the 20th century (circa 1909) by Madame Widow Gotte, a prominent landowner in the Haccourt-Oupeye region (Lower Meuse, Liège area), for the benefit of the Saint-Nicholas Chapel of Hallembaye (a remarkable 16th-century building).
The object thus remained in the chapel’s treasury before joining the art market.
Region / School: Belgium (Brussels / Liège)
Period: Mid-19th Century (King Leopold I era, Circa 1831-1868)
Metal: Solid silver (2nd title, 800/1000) and vermeil elements and gilded bronze
Master Silversmith: Michel-Pierre DELHEID (Delheid Frères, Brussels)
Excellent condition, superb ancient patina, carving of great freshness
Gross weight: 1.778 kg
A exceptionnel piece for a collector of Christian art or Belgian 19th-century goldsmithing, combining the technical virtuosity of the Delheid house with a perfectly clear local history.
The photos are an integral part of the object’s description and complement its presentation. Please examine them carefully before any commitment.
The object will be carefully packed and shipped with a tracking number to ensure a fast and secure delivery.
Happy bidding
