Meriden Silver - Centrepiece - Silvered bronze - Lion Display





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Bronze plate with quadruple silvering, dating from 1850–1900 in the Napoleonic III antique American style, by Meriden Silver in the United States; measures 42 cm wide, 22 cm high and 20 cm deep, in good used condition.
Description from the seller
It is a centerpiece that embodies that 19th‑century American metalwork where Meriden’s quadruple silvering reached its finest expression: a dense, almost lunar sheen that depends not only on the metal bath but on the quality of the support and the thickness of the coating. Here, that deep silvering serves as a stage for a sculptural composition that does not settle for being decorative; it aims to be narrative.
Two lions facing each other, standing on their hind legs, support with taut bodies the central structure. They are not merely symbolic figures: they are modeled with almost theatrical energy, manes in motion, jaws ajar, the gesture of solemn guardianship. Each rests on an ornate base with volutes and small vegetal motifs, as if emerging from a Baroque pedestal reinterpreted in the American Victorian manner.
Between them opens the circular bowl, slightly sunken, designed to receive a cup, a goblet, or a floral ornament. The edge of the dish is worked with a repertoire of curves, scrolls, and small ridges that recall the historicist taste of the era: a blend of classicism and fantasy that Meriden handled with ease. The quadruple silvering accentuates every relief, creating soft contrasts between the polished areas and the shadows formed in the recesses of the design.
The piece, as a whole, conveys nobility and theatricality, as if it were a small domestic altar devoted to abundance or to protective strength. It is an object that speaks not only of Meriden’s technical refinement but also of the symbolic imagination of the 19th century, where heraldic animals became protagonists of decoration.
Tracked shipping and careful packaging.
Seller's Story
It is a centerpiece that embodies that 19th‑century American metalwork where Meriden’s quadruple silvering reached its finest expression: a dense, almost lunar sheen that depends not only on the metal bath but on the quality of the support and the thickness of the coating. Here, that deep silvering serves as a stage for a sculptural composition that does not settle for being decorative; it aims to be narrative.
Two lions facing each other, standing on their hind legs, support with taut bodies the central structure. They are not merely symbolic figures: they are modeled with almost theatrical energy, manes in motion, jaws ajar, the gesture of solemn guardianship. Each rests on an ornate base with volutes and small vegetal motifs, as if emerging from a Baroque pedestal reinterpreted in the American Victorian manner.
Between them opens the circular bowl, slightly sunken, designed to receive a cup, a goblet, or a floral ornament. The edge of the dish is worked with a repertoire of curves, scrolls, and small ridges that recall the historicist taste of the era: a blend of classicism and fantasy that Meriden handled with ease. The quadruple silvering accentuates every relief, creating soft contrasts between the polished areas and the shadows formed in the recesses of the design.
The piece, as a whole, conveys nobility and theatricality, as if it were a small domestic altar devoted to abundance or to protective strength. It is an object that speaks not only of Meriden’s technical refinement but also of the symbolic imagination of the 19th century, where heraldic animals became protagonists of decoration.
Tracked shipping and careful packaging.

