ASEA - Lamp - E 1142 - Cast brass - Sonja Katzin, ASEA, E1142





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Table lamp model E 1142 by Sonja Katzin for ASEA, Sweden, dating to the 1950s, made in brass with a relief-cast stem and circular base, fitted with the original brass lamp holder and a white textile shade, dimensions 34.5 cm high including the shade (21 cm without), base 15 cm square, rewired with a textile-covered cable and inline switch, marked E 1142 and ASEA, in good condition with signs of age and use and in working order.
Description from the seller
Table Lamp, Model E 1142, Sonja Katzin for ASEA, Sweden, 1950s
Description
Executed in brass with a relief-cast stem and circular base. Fitted with the original brass lamp holder and a white textile shade.
Marked E 1142 and ASEA underneath.
Dimensions:
Height approx. 34.5 cm including shade.
Height without shade approx. 21 cm.
Condition
Wear and patina consistent with age and use. Textile shade. Rewired with textile-covered cable and an inline switch.
Designer / Manufacturer
Sonja Katzin (1919–2014) was a Swedish sculptor and designer. During the 1950s, she designed several lighting fixtures for ASEA, in which her sculptural background is clearly reflected in the organic relief patterns and carefully modelled brass forms. Her lamps are today among the more sought-after examples of Swedish post-war lighting design.
Table Lamp, Model E 1142, Sonja Katzin for ASEA, Sweden, 1950s
Description
Executed in brass with a relief-cast stem and circular base. Fitted with the original brass lamp holder and a white textile shade.
Marked E 1142 and ASEA underneath.
Dimensions:
Height approx. 34.5 cm including shade.
Height without shade approx. 21 cm.
Condition
Wear and patina consistent with age and use. Textile shade. Rewired with textile-covered cable and an inline switch.
Designer / Manufacturer
Sonja Katzin (1919–2014) was a Swedish sculptor and designer. During the 1950s, she designed several lighting fixtures for ASEA, in which her sculptural background is clearly reflected in the organic relief patterns and carefully modelled brass forms. Her lamps are today among the more sought-after examples of Swedish post-war lighting design.

