Maternity statue - Baule - Côte d'Ivoire
02
days
05
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44
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59
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Current bid
€ 65
Reserve price not met
Expert
Selected by Dimitri André
Holds a postgraduate degree in African studies and 15 years experience in African art.
Estimate € 150 - € 200
 | €65 | |
|---|---|---|
 | €60 | |
| €55 | |
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Description from the seller
Côte d'Ivoire
Baoulé
Bois et cordelette
Height: 550mm
Width: 110mm
Depth: 140mm
This wood sculpture, standing at 55 cm tall, is a classic and powerful representation of motherhood, originating from the Baoulé people of Ivory Coast. It features a standing female figure carrying her child, a universal theme treated here according to the strict aesthetic and spiritual codes of the Akan culture.
Here is a detailed analysis of its origin, stylistic criteria, and ritual uses.
1. Origin and Stylistic Characteristics
Baoulé art is distinguished by its pursuit of harmony, symmetry, and fine detail. This statue gathers the most prestigious markers of this style:
The Maternity Iconography: The woman carries a child attached to her back. The child clings tightly to the mother's torso, his little legs encircling her hips with natural ease.
The Somitale Headdress: The mother’s head is crowned with a monumental, stepped headdress or headpiece, ending in a highly graphic conical or arrowed shape. This elaborately developed coiffure expresses high social status, nobility, and dignity.
Cheloid Scarifications: The statue’s body is richly adorned with traditional raised scarifications (cheloids). There are vertical and horizontal series on the face (around the mouth and on the cheeks), on the chest, as well as a very dense geometric arrangement on the protruding abdomen surrounding the navel. Among the Baoulé, these marks symbolize civilization, ideal beauty, and cultural belonging.
Ritual Elements and Patina: The statue bears a dark, crusty patina in places, evidence of its age and ritual handling. There is also the presence of a string or fiber cord tied around the mother’s neck, a addition often linked to devotional practices or protective rituals.
2. Functional and Ritual Use
In Baoulé society, a maternity statue of this size fulfills major spiritual and therapeutic functions:
A. The Cult of Fertility and Protection
The representation of a mother carrying her child is the ultimate symbol of lineage continuity and life.
These statues were frequently commissioned by women or couples facing infertility, or who had suffered the painful loss of young children.
Under the guidance of a diviner (wanzan), the statue became the receptacle of protective spirits. The woman cared for it, washed it, anointed it with oil or kaolin, and offered symbolic offerings to promote a timely pregnancy and protect the newborn from invisible forces or diseases.
B. The Wife of the Beyond (Blolo Bla)
Although the maternity theme is very specific, this sculpture can also represent a particularly honored form of a Blolo Bla (the wife of the spirit world).
If the diviner considered that the spiritual spouse of a man required representation as an accomplished mother to appease her jealousy or resolve a imbalance in the individual’s earthly life, such a statuette was carved.
Luxurious details (complex scarifications, tall headdress) are intended to flatter the spirit so that it grants its blessing (prosperity, health, descendants) to the earthly home.
In summary
This 55 cm Baoulé maternity piece is a superb example of West African ritual art. Through the balance of its forms and the richness of its bodily motifs, it embodies not only the Akan culture’s aesthetic ideal but also the deep hopes of protection, fecundity, and a sacred link between the world of the living and that of the ancestors.
Items are shipped with insurance and tracking number.
Fast and secure shipping. Parcels are sent from Monday to Saturday.
Delivery in France in 1 to 3 days, 2 to 5 days across Europe.
Seller's Story
Passionate about World Arts and more specifically about African Art, we buy from collectors, former officials, military, health workers, public works staff who have worked in Africa and also in Côte d'Ivoire, from antique dealers and traders who roam across West Africa to find quality objects.
It is with pride that we present works that, beyond their power to beautify spaces, invite our collectors to resonate with the richness and depth of human expression through the most authentic art.
At Arts Ethniques Gallery, we have the privilege of offering our visitors an exclusive selection of artworks, all unique and original. Each piece presented is the outcome of a demanding artistic approach, driven by a singular vision and mastered craftsmanship, all elements that guarantee authenticity and value.
The works we offer are not industrial reproductions. They are individual creations, crafted with sensitivity and precision, each bearing its own story, identity and presence. Originality is the very foundation of our commitment to excellence. Thus, every mask and every statue in our collection is the subject of a rigorous selection, in order to preserve their rarity and singularity.
Acquiring a work from Arts Ethniques Gallery means owning a truly unique piece: a creation that embodies both talent, cultural memory and the expressive force of African art. It is also a lasting investment in a work whose artistic and emotional value transcends time.
We guarantee that every work leaving our gallery is an authentic piece, without replicas, bearing witness to the creativity, heritage and passion of the African artists who shaped them.
We invite you to participate in our gallery’s auctions with confidence. Each presented work is an original, unique and irreplaceable creation, selected with the greatest rigor to guarantee its authenticity and artistic value.
Whether you wish to enrich a personal collection or introduce an exceptional artwork into your space, Arts Ethniques Gallery offers a safe, transparent and professional setting to acquire remarkable pieces.
Art auctions are a privileged moment to discover rare works, capable of becoming the heart of a collection. Acquiring a work at our sales is not just buying an object: it is investing in a creation whose aesthetic value and cultural reach reinforce over time.
The pieces presented by Arts Ethniques Gallery testify not only to the talent and vision of the artists but also possess the ability to transform spaces and enrich the gaze of those who behold them.
Participating in our auctions is taking part in a singular experience, where the passion for art meets the rigors of collecting. Bidding on a work from Arts Ethniques Gallery goes beyond a simple transaction: it is a gesture of commitment and appreciation for art in its most authentic form.
We invite you to bid with passion and to join us in this adventure dedicated to discovery, transmission and celebration of art.
Perhaps your next heart piece is already waiting for you."
Translated by Google TranslateCôte d'Ivoire
Baoulé
Bois et cordelette
Height: 550mm
Width: 110mm
Depth: 140mm
This wood sculpture, standing at 55 cm tall, is a classic and powerful representation of motherhood, originating from the Baoulé people of Ivory Coast. It features a standing female figure carrying her child, a universal theme treated here according to the strict aesthetic and spiritual codes of the Akan culture.
Here is a detailed analysis of its origin, stylistic criteria, and ritual uses.
1. Origin and Stylistic Characteristics
Baoulé art is distinguished by its pursuit of harmony, symmetry, and fine detail. This statue gathers the most prestigious markers of this style:
The Maternity Iconography: The woman carries a child attached to her back. The child clings tightly to the mother's torso, his little legs encircling her hips with natural ease.
The Somitale Headdress: The mother’s head is crowned with a monumental, stepped headdress or headpiece, ending in a highly graphic conical or arrowed shape. This elaborately developed coiffure expresses high social status, nobility, and dignity.
Cheloid Scarifications: The statue’s body is richly adorned with traditional raised scarifications (cheloids). There are vertical and horizontal series on the face (around the mouth and on the cheeks), on the chest, as well as a very dense geometric arrangement on the protruding abdomen surrounding the navel. Among the Baoulé, these marks symbolize civilization, ideal beauty, and cultural belonging.
Ritual Elements and Patina: The statue bears a dark, crusty patina in places, evidence of its age and ritual handling. There is also the presence of a string or fiber cord tied around the mother’s neck, a addition often linked to devotional practices or protective rituals.
2. Functional and Ritual Use
In Baoulé society, a maternity statue of this size fulfills major spiritual and therapeutic functions:
A. The Cult of Fertility and Protection
The representation of a mother carrying her child is the ultimate symbol of lineage continuity and life.
These statues were frequently commissioned by women or couples facing infertility, or who had suffered the painful loss of young children.
Under the guidance of a diviner (wanzan), the statue became the receptacle of protective spirits. The woman cared for it, washed it, anointed it with oil or kaolin, and offered symbolic offerings to promote a timely pregnancy and protect the newborn from invisible forces or diseases.
B. The Wife of the Beyond (Blolo Bla)
Although the maternity theme is very specific, this sculpture can also represent a particularly honored form of a Blolo Bla (the wife of the spirit world).
If the diviner considered that the spiritual spouse of a man required representation as an accomplished mother to appease her jealousy or resolve a imbalance in the individual’s earthly life, such a statuette was carved.
Luxurious details (complex scarifications, tall headdress) are intended to flatter the spirit so that it grants its blessing (prosperity, health, descendants) to the earthly home.
In summary
This 55 cm Baoulé maternity piece is a superb example of West African ritual art. Through the balance of its forms and the richness of its bodily motifs, it embodies not only the Akan culture’s aesthetic ideal but also the deep hopes of protection, fecundity, and a sacred link between the world of the living and that of the ancestors.
Items are shipped with insurance and tracking number.
Fast and secure shipping. Parcels are sent from Monday to Saturday.
Delivery in France in 1 to 3 days, 2 to 5 days across Europe.
Seller's Story
Passionate about World Arts and more specifically about African Art, we buy from collectors, former officials, military, health workers, public works staff who have worked in Africa and also in Côte d'Ivoire, from antique dealers and traders who roam across West Africa to find quality objects.
It is with pride that we present works that, beyond their power to beautify spaces, invite our collectors to resonate with the richness and depth of human expression through the most authentic art.
At Arts Ethniques Gallery, we have the privilege of offering our visitors an exclusive selection of artworks, all unique and original. Each piece presented is the outcome of a demanding artistic approach, driven by a singular vision and mastered craftsmanship, all elements that guarantee authenticity and value.
The works we offer are not industrial reproductions. They are individual creations, crafted with sensitivity and precision, each bearing its own story, identity and presence. Originality is the very foundation of our commitment to excellence. Thus, every mask and every statue in our collection is the subject of a rigorous selection, in order to preserve their rarity and singularity.
Acquiring a work from Arts Ethniques Gallery means owning a truly unique piece: a creation that embodies both talent, cultural memory and the expressive force of African art. It is also a lasting investment in a work whose artistic and emotional value transcends time.
We guarantee that every work leaving our gallery is an authentic piece, without replicas, bearing witness to the creativity, heritage and passion of the African artists who shaped them.
We invite you to participate in our gallery’s auctions with confidence. Each presented work is an original, unique and irreplaceable creation, selected with the greatest rigor to guarantee its authenticity and artistic value.
Whether you wish to enrich a personal collection or introduce an exceptional artwork into your space, Arts Ethniques Gallery offers a safe, transparent and professional setting to acquire remarkable pieces.
Art auctions are a privileged moment to discover rare works, capable of becoming the heart of a collection. Acquiring a work at our sales is not just buying an object: it is investing in a creation whose aesthetic value and cultural reach reinforce over time.
The pieces presented by Arts Ethniques Gallery testify not only to the talent and vision of the artists but also possess the ability to transform spaces and enrich the gaze of those who behold them.
Participating in our auctions is taking part in a singular experience, where the passion for art meets the rigors of collecting. Bidding on a work from Arts Ethniques Gallery goes beyond a simple transaction: it is a gesture of commitment and appreciation for art in its most authentic form.
We invite you to bid with passion and to join us in this adventure dedicated to discovery, transmission and celebration of art.
Perhaps your next heart piece is already waiting for you."
Translated by Google TranslateDetails
Indigenous object name
Maternity statue
Ethnic group/ culture
Baule
Country of Origin
Côte d'Ivoire
Material
Cord / Wood
Sold with stand
No
Condition
Good condition
Authenticity
Original/official
Sold by
