Mblo mask - Baule - Côte d'Ivoire






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Description from the seller
Ivory Coast
Baoulé
Wood
Height: 535mm
Width: 180mm
Depth: 140mm
African wooden mask from the Baoulé ethnicity of Ivory Coast.
This anthropomorphic wooden mask is a remarkable example of central Ivory Coast art.
This mask is of Baoulé origin, one of the country’s most important ethnic groups, celebrated for the refinement, delicacy, and balance of its statuary. More precisely, this piece crowned with a full figure belongs to the category of portrait or entertainment masks, called Mblo (or Ndoma).
1. Baoulé origin and aesthetic characteristics
Visual analysis of the mask immediately reveals the idealized beauty canons specific to Baoulé sculpture:
A face of great serenity: The forehead is high, rounded and clear. Almond-shaped, half-closed eyes oriented downward give the mask an expression of introspection, restraint, and respectful dignity. The nose is long, fine and straight, while the mouth, small and slightly open, hints at carefully sculpted lips.
Ritual scarifications: The face is adorned with small geometric reliefs symbolizing traditional scarifications (ngole). A series can be seen aligned across the top of the forehead, as well as small marks at the corners of the eyes and on the temples, signs of cultural refinement and social belonging.
Hairstyle and frill: The hair is styled in a rounded bun finely lined with parallel lines. Around the jaw, a notched or toothed border (optimal visibility on the chin) stylizes a prestige beard or a decorative frill that structures the oval of the face.
The summit statuette: The top of the mask is crowned by a complete anthropomorphic female figure, sculpted standing, hands on hips. Her crest-like hairstyle echoes that of the main mask. This superposition of figures adds an exceptional level of prestige to the object.
The dark patina: The surface bears a black, smooth and polished patina, traditionally obtained by treatments with plant dyes and repeated rubbing, contrasting with the rough sawn wood on the back.
2. Ritual and social use: Mblo rejoicing dances
Unlike the sacred and formidable masks of the Baoulé (such as the Goli or the Bonu Auen which are forbidden to women), the Mblo mask has essentially secular and festive use:
A tribute to a community member: Mblo or Ndoma masks are designed to celebrate or honor a real village member, reputed for physical beauty, dancing talents, or great moral qualities (generosity, wisdom). The sculpted figurine at the top may refer to an identity trait of this person or to their lineage.
The course of the dance: During entertainment festivals, funerals of notable persons, or public commemorations, an accomplished dancer wears the mask, fully costumed in fabrics and fibers to conceal their body. The back of the mask shows the small lateral holes on the inner border, which were used to thread ties to securely attach the object to the wearer’s face.
Public appearance: The dancer performs a rhythmic and theatrical choreography, often accompanied by the woman or personality the mask is meant to honor. It is a moment of parody, social cohesion, and collective aesthetic celebration.
3. Meaning: A celebration of beauty and social order
In Baoulé country, art serves to make the world more beautiful and harmonious to soothe spirits. This mask is not a realistic (photographic) portrait of the honored person, but an idealized representation of their soul and status.
The perfection of lines, the perfect symmetry of features, and the careful patina celebrate self-control, intelligence, and spiritual maturity. By exhibiting such a mask to the public, the Baoulé community reaffirms its highest moral values: respect for elders,
Fast and protected shipping. Packages are sent with tracking numbers. Delivery in France in 1 to 3 days via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide.
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Seller's Story
Ivory Coast
Baoulé
Wood
Height: 535mm
Width: 180mm
Depth: 140mm
African wooden mask from the Baoulé ethnicity of Ivory Coast.
This anthropomorphic wooden mask is a remarkable example of central Ivory Coast art.
This mask is of Baoulé origin, one of the country’s most important ethnic groups, celebrated for the refinement, delicacy, and balance of its statuary. More precisely, this piece crowned with a full figure belongs to the category of portrait or entertainment masks, called Mblo (or Ndoma).
1. Baoulé origin and aesthetic characteristics
Visual analysis of the mask immediately reveals the idealized beauty canons specific to Baoulé sculpture:
A face of great serenity: The forehead is high, rounded and clear. Almond-shaped, half-closed eyes oriented downward give the mask an expression of introspection, restraint, and respectful dignity. The nose is long, fine and straight, while the mouth, small and slightly open, hints at carefully sculpted lips.
Ritual scarifications: The face is adorned with small geometric reliefs symbolizing traditional scarifications (ngole). A series can be seen aligned across the top of the forehead, as well as small marks at the corners of the eyes and on the temples, signs of cultural refinement and social belonging.
Hairstyle and frill: The hair is styled in a rounded bun finely lined with parallel lines. Around the jaw, a notched or toothed border (optimal visibility on the chin) stylizes a prestige beard or a decorative frill that structures the oval of the face.
The summit statuette: The top of the mask is crowned by a complete anthropomorphic female figure, sculpted standing, hands on hips. Her crest-like hairstyle echoes that of the main mask. This superposition of figures adds an exceptional level of prestige to the object.
The dark patina: The surface bears a black, smooth and polished patina, traditionally obtained by treatments with plant dyes and repeated rubbing, contrasting with the rough sawn wood on the back.
2. Ritual and social use: Mblo rejoicing dances
Unlike the sacred and formidable masks of the Baoulé (such as the Goli or the Bonu Auen which are forbidden to women), the Mblo mask has essentially secular and festive use:
A tribute to a community member: Mblo or Ndoma masks are designed to celebrate or honor a real village member, reputed for physical beauty, dancing talents, or great moral qualities (generosity, wisdom). The sculpted figurine at the top may refer to an identity trait of this person or to their lineage.
The course of the dance: During entertainment festivals, funerals of notable persons, or public commemorations, an accomplished dancer wears the mask, fully costumed in fabrics and fibers to conceal their body. The back of the mask shows the small lateral holes on the inner border, which were used to thread ties to securely attach the object to the wearer’s face.
Public appearance: The dancer performs a rhythmic and theatrical choreography, often accompanied by the woman or personality the mask is meant to honor. It is a moment of parody, social cohesion, and collective aesthetic celebration.
3. Meaning: A celebration of beauty and social order
In Baoulé country, art serves to make the world more beautiful and harmonious to soothe spirits. This mask is not a realistic (photographic) portrait of the honored person, but an idealized representation of their soul and status.
The perfection of lines, the perfect symmetry of features, and the careful patina celebrate self-control, intelligence, and spiritual maturity. By exhibiting such a mask to the public, the Baoulé community reaffirms its highest moral values: respect for elders,
Fast and protected shipping. Packages are sent with tracking numbers. Delivery in France in 1 to 3 days via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide.
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
