Cimier Tywara / Chi wara - Bambara - Mali






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Chi Wara cimier, Bambara from Mali, carved in wood with a textile mounting, titled Cimier Tywara / Chi wara, sold with its original fabric stand, dimensions 230 mm high, 180 mm wide, 510 mm long, weight 700 g, in bon état.
Description from the seller
Mali
Bambara
Bois
Height: 230mm
Width: 180mm
Length: 510mm
Weight: 700g
This piece is a Chi Wara crest (often spelled Tyi Wara or Ci Wara) of the Bambara (or Bamanan) people of Mali.
It is a stylistic variant representing a quadruped (often associated with the oryx or a composite animal blending gazelle and the scaly pangolin/ant-eater, depending on the region of Mali), mounted on its original sewn fabric base (kasa).
Here is the detailed analysis of its origin, use, and symbolic function:
1. Origin and Founding Myth
Among the Bambara, Chi Wara embodies a mythical character half-man, half-animal:
• The myth of agriculture: According to tradition, Chi Wara is the civilizing hero half-man, half-antelope who taught humans farming by showing how to work the land with a daba (hoe).
• Etymology: The term Chi Wara literally means “the falcon (or the worker) of the land” (ci = work, wara = wild/animal).
2. Usage and Ritual Contexts
• Agrarian societies (Somo or associations of ploughmen): The crests are not isolated objects; they are affixed to a wicker or fabric bonnet (as seen on the base of your piece with the traditional fabric) and worn by the community’s best dancers.
• Plowing contests (Cori): Chi Wara dances take place outdoors in the fields, during weeding rituals and seasonal agricultural work. The dancers, accompanied by musicians and singers, perform paired choreographies (the male and the female) imitating the graceful leaps of the antelope to stimulate the vitality of the earth and encourage young farmers to redouble their efforts.
3. Symbolic and Formal Function
• The union of Earth and Sky (or Water and Fire):
• The long majestic horns projecting backward symbolize the sun’s course or the pursuit of height and rain.
• The horizontal position of the animal’s body and its anchored legs recall the nurturing earth.
• Fertility and prosperity: This abstract and pared-down art celebrates the fertility of the land as much as that of the people. The loops, rings, and the sculpture’s dynamics convey the vital energy (nyama) needed to achieve good millet harvests and ensure the village’s survival.
The objects are shipped with a tracking number.
Delivery in France by Chronopost in 1 to 2 days. Delivery to the European Union by Chronopost International in 3 to 5 days. Delivery by Colissimo International to the rest of Europe and to the whole world.
We speak english.
Seller's Story
Mali
Bambara
Bois
Height: 230mm
Width: 180mm
Length: 510mm
Weight: 700g
This piece is a Chi Wara crest (often spelled Tyi Wara or Ci Wara) of the Bambara (or Bamanan) people of Mali.
It is a stylistic variant representing a quadruped (often associated with the oryx or a composite animal blending gazelle and the scaly pangolin/ant-eater, depending on the region of Mali), mounted on its original sewn fabric base (kasa).
Here is the detailed analysis of its origin, use, and symbolic function:
1. Origin and Founding Myth
Among the Bambara, Chi Wara embodies a mythical character half-man, half-animal:
• The myth of agriculture: According to tradition, Chi Wara is the civilizing hero half-man, half-antelope who taught humans farming by showing how to work the land with a daba (hoe).
• Etymology: The term Chi Wara literally means “the falcon (or the worker) of the land” (ci = work, wara = wild/animal).
2. Usage and Ritual Contexts
• Agrarian societies (Somo or associations of ploughmen): The crests are not isolated objects; they are affixed to a wicker or fabric bonnet (as seen on the base of your piece with the traditional fabric) and worn by the community’s best dancers.
• Plowing contests (Cori): Chi Wara dances take place outdoors in the fields, during weeding rituals and seasonal agricultural work. The dancers, accompanied by musicians and singers, perform paired choreographies (the male and the female) imitating the graceful leaps of the antelope to stimulate the vitality of the earth and encourage young farmers to redouble their efforts.
3. Symbolic and Formal Function
• The union of Earth and Sky (or Water and Fire):
• The long majestic horns projecting backward symbolize the sun’s course or the pursuit of height and rain.
• The horizontal position of the animal’s body and its anchored legs recall the nurturing earth.
• Fertility and prosperity: This abstract and pared-down art celebrates the fertility of the land as much as that of the people. The loops, rings, and the sculpture’s dynamics convey the vital energy (nyama) needed to achieve good millet harvests and ensure the village’s survival.
The objects are shipped with a tracking number.
Delivery in France by Chronopost in 1 to 2 days. Delivery to the European Union by Chronopost International in 3 to 5 days. Delivery by Colissimo International to the rest of Europe and to the whole world.
We speak english.
