Dance mask - Dan - Côte d'Ivoire






A decade of experience in historical arms, armour, and African art.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141366 reviews
Rated Excellent on Trustpilot.
Dan wooden dance mask from Côte d'Ivoire, attributed to the Dan people, named Masque de danse, measuring 215 × 135 × 70 mm, in good condition and sold without a stand.
Description from the seller
Côte d'Ivoire
Dan
Bois
Height: 215mm
Width: 135mm
Depth: 70mm
This anthropomorphic mask comes from the Dan people (sometimes called Yacouba in Côte d'Ivoire). This important West African ethnic group is established in a forested and mountainous region covering the western Côte d'Ivoire and the north-east of Liberia.
Dan art is characterized by a quest for balance, symmetry, and idealization of forms, creating works of great classical purity.
1. Stylistic Features and Aesthetic
This mask incorporates the most emblematic and refined beauty canons of Dan statuary:
• The purity of the oval form: The face has regular, flowing contours, narrowing to a slightly pointed chin. The forehead is high, broad, and harmoniously rounded.
• The midline of the forehead: A fine vertical crest engraved in slight relief divides the forehead in two. This line simulates traditional clan scarification and enhances the perfect symmetry of the face.
• Split eyes: The eyes are represented by two fine horizontal slits highlighted by a subtle relief. In Dan typology, these closed or narrowed eyes embody gentleness, interiority, serenity, and the feminine component of the mind.
• The mouth and the nose: The nose is straight and well-proportioned. The mouth is sculpted with a strong projection, with the lips full and carefully drawn.
• The reverse and patina: The back shows a deep and neat hollow, following the face of the dancer, with two distinct nostril perforations. The perimeter of the mask is punctuated by regular fixing holes used to anchor the heavy textile headdress and the costume. On the front, the wood benefits from a smooth dark brown patina with nuanced shading.
2. Use and Ritual Function: The Deangle or Tankagle Mask
In Dan cosmogony, masks are not mere stage ornaments; they are the physical manifestation of the spirits of the bush (Gle) who wish to interact with men:
• A benevolent and peaceful spirit: Because of its slender eyes and harmonious features, this mask belongs to the category of masks called "feminine" or peaceful, most often a Deangle (or a Tankagle). Unlike justice or war masks, it embodies a joyful, protective, and friendly spirit.
• The link with Poro initiates: The Deangle plays a crucial educational and guiding role during the rite of passage for young boys within the secret society of Poro. When adolescents are secluded in the initiation camp in the bush, the mask bearer serves as a messenger. He leaves the sacred bush to go to the village to beg for food from mothers and women for the initiates.
• Mediator and entertainer: By its graceful presence, it also entertains the community. It moves by walking or dancing elegantly, interact with villagers in a playful manner, and may sing. Its inherent benevolence also helps ease tensions and restore harmony within the group during gatherings.
Packages are shipped Monday through Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide with Colissimo International.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Côte d'Ivoire
Dan
Bois
Height: 215mm
Width: 135mm
Depth: 70mm
This anthropomorphic mask comes from the Dan people (sometimes called Yacouba in Côte d'Ivoire). This important West African ethnic group is established in a forested and mountainous region covering the western Côte d'Ivoire and the north-east of Liberia.
Dan art is characterized by a quest for balance, symmetry, and idealization of forms, creating works of great classical purity.
1. Stylistic Features and Aesthetic
This mask incorporates the most emblematic and refined beauty canons of Dan statuary:
• The purity of the oval form: The face has regular, flowing contours, narrowing to a slightly pointed chin. The forehead is high, broad, and harmoniously rounded.
• The midline of the forehead: A fine vertical crest engraved in slight relief divides the forehead in two. This line simulates traditional clan scarification and enhances the perfect symmetry of the face.
• Split eyes: The eyes are represented by two fine horizontal slits highlighted by a subtle relief. In Dan typology, these closed or narrowed eyes embody gentleness, interiority, serenity, and the feminine component of the mind.
• The mouth and the nose: The nose is straight and well-proportioned. The mouth is sculpted with a strong projection, with the lips full and carefully drawn.
• The reverse and patina: The back shows a deep and neat hollow, following the face of the dancer, with two distinct nostril perforations. The perimeter of the mask is punctuated by regular fixing holes used to anchor the heavy textile headdress and the costume. On the front, the wood benefits from a smooth dark brown patina with nuanced shading.
2. Use and Ritual Function: The Deangle or Tankagle Mask
In Dan cosmogony, masks are not mere stage ornaments; they are the physical manifestation of the spirits of the bush (Gle) who wish to interact with men:
• A benevolent and peaceful spirit: Because of its slender eyes and harmonious features, this mask belongs to the category of masks called "feminine" or peaceful, most often a Deangle (or a Tankagle). Unlike justice or war masks, it embodies a joyful, protective, and friendly spirit.
• The link with Poro initiates: The Deangle plays a crucial educational and guiding role during the rite of passage for young boys within the secret society of Poro. When adolescents are secluded in the initiation camp in the bush, the mask bearer serves as a messenger. He leaves the sacred bush to go to the village to beg for food from mothers and women for the initiates.
• Mediator and entertainer: By its graceful presence, it also entertains the community. It moves by walking or dancing elegantly, interact with villagers in a playful manner, and may sing. Its inherent benevolence also helps ease tensions and restore harmony within the group during gatherings.
Packages are shipped Monday through Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide with Colissimo International.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
