Eduardo Chillida (1924-2002) - Lithographic plans





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Eduardo Chillida, Lithographic plans, lithograph on vegetable papers, 38 × 28 cm, published in 1980 as a limited edition, not signed, in good condition, from Spain.
Description from the seller
Eduardo Chillida
1980
Lithographic plans over vegetable papers
Dimensions: 38X28cm with the mat
Frame not included
Published in 1980 on the occasion of the artist’s exhibition of 78 stone sculptures and 4 porcelain pieces at the Maeght Foundation.
While Eduardo Chillida is universally celebrated for his monumental steel and stone sculptures, his graphic work—particularly his etchings and lithographs—reveals an equally masterful exploration of space, where heavy ink and stark paper engage in a dramatic dance of form and void. This graphic brilliance directly mirrors the printmaking legacies of titans like Pablo Picasso and Salvador Dalí, who similarly utilized the graphic medium to strip their artistic visions down to their most urgent, raw essences. Much like Picasso's masterful linocuts or Dalí's surrealist etchings, Chillida’s graphic art proves that paper can hold just as much architectural power and emotional weight as three-dimensional sculpture.
Eduardo Chillida
1980
Lithographic plans over vegetable papers
Dimensions: 38X28cm with the mat
Frame not included
Published in 1980 on the occasion of the artist’s exhibition of 78 stone sculptures and 4 porcelain pieces at the Maeght Foundation.
While Eduardo Chillida is universally celebrated for his monumental steel and stone sculptures, his graphic work—particularly his etchings and lithographs—reveals an equally masterful exploration of space, where heavy ink and stark paper engage in a dramatic dance of form and void. This graphic brilliance directly mirrors the printmaking legacies of titans like Pablo Picasso and Salvador Dalí, who similarly utilized the graphic medium to strip their artistic visions down to their most urgent, raw essences. Much like Picasso's masterful linocuts or Dalí's surrealist etchings, Chillida’s graphic art proves that paper can hold just as much architectural power and emotional weight as three-dimensional sculpture.

