Vittorio Colaizzi - Robert Ryman - 2017





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 140259 reviews
Rated Excellent on Trustpilot.
English-language bound edition of the monograph Robert Ryman by Vittorio Colaizzi, published by Phaidon in 2017, 344 pages, 260 illustrations, format 29.5 cm x 25.7 cm, ISBN 978-0-7148-4934-8.
Description from the seller
Robert Ryman / Vittorio Colaizzi
London/Berlin: Phaidon, 2017
344 pages: 260 illustrations
Format 29.5 cm x 25.7 cm
ISBN 978-0-7148-4934-8
Important monograph on the American artist (1930-2019), virtually unread / like new, the delicate linen-bound volume without damage or stains.
About the contents:
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations.
A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.
Robert Ryman / Vittorio Colaizzi
London/Berlin: Phaidon, 2017
344 pages: 260 illustrations
Format 29.5 cm x 25.7 cm
ISBN 978-0-7148-4934-8
Important monograph on the American artist (1930-2019), virtually unread / like new, the delicate linen-bound volume without damage or stains.
About the contents:
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations.
A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.

