Console table - Gilt wood





Add to your favourites to get an alert when the auction starts.

Master marquetry craftswoman with 4 years' expert experience. Trainee auctioneer at Sotheby's Paris.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 140738 reviews
Rated Excellent on Trustpilot.
Description from the seller
Buffet / wall console in carved and gilded wood with a marble top - Louis XV style, c. 1860–1890.
Object: wall cabinet / console
Era: second half of the 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm
Important French wall-side cabinet or console, in richly carved, pierced and gilded wood, in the Louis XV taste, topped by a removable breccia marble top.
The piece presents an elegant compact rectangular configuration of shallow depth, intended to be placed against the wall, with a strongly contoured and lively frontal profile.
The marble top features a serpentine outline, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and white veining, cautiously describable as breccia marble without asserting a specific quarry.
The waist is particularly rich. In the center unfolds a symmetric composition of C- and S-shaped volutes, acanthus leaves, small floral motifs and reticulated diamond-pattern reserves, partially pierced, in unmistakably Rococo language.
At the center of the front stands a pierced reserve framed by two large facing volutes, ending below in a hanging foliate composition.
At the ends and terminations of the legs appear large shell-and-rocaille elements, with pronounced volume, carved in high relief.
The four legs have a strongly arched and sinuous profile, forming successive curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell motifs; volutes; fluting and striations; toupie feet.
The overall effect is markedly sculptural, almost dissolving the boundary between waist and legs.
The portion not intended to be visible has a pink paint finish, probably applied later.
This view is important because it confirms that we are not dealing with a modern mold-made reproduction: the structure is indeed made up of worked and joined wooden pieces.
The decorative elements are deliberately inspired by French furniture from the reign of Louis XV: Rocaille + shells + acanthus + cabriole legs + volutes + pierced waist + serpentine top.
Condition – Overall, it presents a strong visual impact, but with signs of age. Wear, craquelure, scratches, superficial cracks and past interventions are observable. There are also traces of wood-boring activity, especially in the non-gilded structural areas.
Buffet / wall console in carved and gilded wood with a marble top - Louis XV style, c. 1860–1890.
Object: wall cabinet / console
Era: second half of the 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm
Important French wall-side cabinet or console, in richly carved, pierced and gilded wood, in the Louis XV taste, topped by a removable breccia marble top.
The piece presents an elegant compact rectangular configuration of shallow depth, intended to be placed against the wall, with a strongly contoured and lively frontal profile.
The marble top features a serpentine outline, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and white veining, cautiously describable as breccia marble without asserting a specific quarry.
The waist is particularly rich. In the center unfolds a symmetric composition of C- and S-shaped volutes, acanthus leaves, small floral motifs and reticulated diamond-pattern reserves, partially pierced, in unmistakably Rococo language.
At the center of the front stands a pierced reserve framed by two large facing volutes, ending below in a hanging foliate composition.
At the ends and terminations of the legs appear large shell-and-rocaille elements, with pronounced volume, carved in high relief.
The four legs have a strongly arched and sinuous profile, forming successive curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell motifs; volutes; fluting and striations; toupie feet.
The overall effect is markedly sculptural, almost dissolving the boundary between waist and legs.
The portion not intended to be visible has a pink paint finish, probably applied later.
This view is important because it confirms that we are not dealing with a modern mold-made reproduction: the structure is indeed made up of worked and joined wooden pieces.
The decorative elements are deliberately inspired by French furniture from the reign of Louis XV: Rocaille + shells + acanthus + cabriole legs + volutes + pierced waist + serpentine top.
Condition – Overall, it presents a strong visual impact, but with signs of age. Wear, craquelure, scratches, superficial cracks and past interventions are observable. There are also traces of wood-boring activity, especially in the non-gilded structural areas.
