Wall mirror - Wood, Glass





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Holds bachelor's degrees in Law and Art History with an Ecole du Louvre auctioneer diploma.
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Description from the seller
Portuguese carved and gilded wood wall mirror - D. José style / Rococo Revival, c. 1850–1880.
Object: wall mirror
Likely country: Portugal
Period: 19th century
Dating: c. 1850–1880
Style: D. José Revival / Portuguese Rococo-Baroque
Material: carved, prepared and gold-leafed wood
Dimensions: 71 × 42 × 3 cm
Vertical-format Portuguese wall mirror, featuring a rectangular carved and gilded wooden frame, topped by an elaborate Rococo-inspired pediment.
The frame itself is relatively narrow and architectural, composed of successive stepped moldings that enclose a rectangular mirror panel. The contrast between the frame’s simplicity and the ornamental concentration in the upper part is typical of many 19th-century Portuguese historicist mirrors.
The surface preserves significant traces of the old gilding, now worn, revealing in many spots a reddish-brown undertone. This aspect is particularly interesting: it seems to be the ground/preparation on which the gilding was executed, and not merely a recent brown paint.
Pediment - The upper part is clearly the most important element. At the center appears a large carved composition formed by: acanthus leaves or palmettes; an upper central volute; large symmetrical scrolls; side C-scrolls; stylized foliate elements; small scrolls at the ends.
The decoration is quite robust, symmetric and architectural. It is not the extremely asymmetrical French Rococo of the 18th century; rather, an eighteenth–century vocabulary interpreted through a nineteenth-century lens of D. José / Louis XV.
Gilding and patina - In this case, the wear is an important part of the piece’s appearance.
Back and construction - The rear is interesting because it shows a rather simple old wooden structure, with no obvious modern materials, a large back panel and a visible pediment from the reverse. The metal suspension wire is clearly later and does not interfere with dating.
The construction reinforces that this is not a recent reproduction.
Condition: The condition is good considering its age, with gilding wear. On the other hand, the pediment is essentially complete, which is important."
Portuguese carved and gilded wood wall mirror - D. José style / Rococo Revival, c. 1850–1880.
Object: wall mirror
Likely country: Portugal
Period: 19th century
Dating: c. 1850–1880
Style: D. José Revival / Portuguese Rococo-Baroque
Material: carved, prepared and gold-leafed wood
Dimensions: 71 × 42 × 3 cm
Vertical-format Portuguese wall mirror, featuring a rectangular carved and gilded wooden frame, topped by an elaborate Rococo-inspired pediment.
The frame itself is relatively narrow and architectural, composed of successive stepped moldings that enclose a rectangular mirror panel. The contrast between the frame’s simplicity and the ornamental concentration in the upper part is typical of many 19th-century Portuguese historicist mirrors.
The surface preserves significant traces of the old gilding, now worn, revealing in many spots a reddish-brown undertone. This aspect is particularly interesting: it seems to be the ground/preparation on which the gilding was executed, and not merely a recent brown paint.
Pediment - The upper part is clearly the most important element. At the center appears a large carved composition formed by: acanthus leaves or palmettes; an upper central volute; large symmetrical scrolls; side C-scrolls; stylized foliate elements; small scrolls at the ends.
The decoration is quite robust, symmetric and architectural. It is not the extremely asymmetrical French Rococo of the 18th century; rather, an eighteenth–century vocabulary interpreted through a nineteenth-century lens of D. José / Louis XV.
Gilding and patina - In this case, the wear is an important part of the piece’s appearance.
Back and construction - The rear is interesting because it shows a rather simple old wooden structure, with no obvious modern materials, a large back panel and a visible pediment from the reverse. The metal suspension wire is clearly later and does not interfere with dating.
The construction reinforces that this is not a recent reproduction.
Condition: The condition is good considering its age, with gilding wear. On the other hand, the pediment is essentially complete, which is important."
